tag:blogger.com,1999:blog-31426514575739758612024-03-07T00:54:32.146-08:00FIVE YEARS -post-shows-related-references-links-free-association-archival-other-case studies-schools-documents-test-performance-experimental-self-managedfive yearshttp://www.blogger.com/profile/17881461131158392631noreply@blogger.comBlogger73125tag:blogger.com,1999:blog-3142651457573975861.post-19605087699213938582016-07-08T14:17:00.003-07:002016-07-08T14:17:36.812-07:00Five Years group installation at Sluice Independent Art Fair <div class="separator" style="clear: both; text-align: center;">
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<div class="p1">
<span class="s1"><span style="font-family: Courier New, Courier, monospace;">FIVE YEARS</span></span></div>
<div class="p2">
<span class="s1"><b><span style="font-family: Courier New, Courier, monospace;">Alex Schady<br />
Edward Dorrian<br />
Esther Planas<br />
Francis Summers<br />
Jo Addison <br />
Ladies of the Press<br />
Louisa Minkin<br />
Marc Hulson<br />
Mary Maclean<br />
Michael Murphy<br />
Rochelle Fry<br />
Sally Morfill Alice Walton<br />
</span></b></span></div>
<div class="p3">
<span class="s1"><span style="font-family: Courier New, Courier, monospace;">For Sluice, members of Five Years have contributed individually to three collaborative / collective works:</span></span></div>
<ol class="ol1">
<li class="li3"><span class="s1"><b><span style="font-family: Courier New, Courier, monospace;">Black Watercolours</span></b></span></li>
<li class="li3"><span class="s1"><b><span style="font-family: Courier New, Courier, monospace;">Table</span></b></span></li>
<li class="li3"><span class="s1"><b><span style="font-family: Courier New, Courier, monospace;">Poster</span></b></span></li>
</ol>
<div class="p3">
<span class="s1"><span style="font-family: Courier New, Courier, monospace;">Each is presented as a fragmented whole, reflecting Five Years organisational principles. </span></span></div>
<div class="p3">
<span class="s1"><span style="font-family: Courier New, Courier, monospace;">For the wall 6 artists have produced works in watercolour on paper using only the colour black. </span></span></div>
<div class="p3">
<span class="s1"><span style="font-family: Courier New, Courier, monospace;">For the table 12 artist have contributed works in any form or media measuring no more than two foot square at the base. </span></span></div>
<br />
<div class="p3">
<span class="s1"><span style="font-family: Courier New, Courier, monospace;">One side of the poster reproduces a composite image overlaying drawings by Five Years members: each was originally produced on an A4 sheet with no part of the drawing touching the edges. The reverse presents a text composed of excerpts from the press releases for invdividual members’ projects at Five Years: in each section names and references to individuals have been removed and substituted with ‘we’.</span></span></div>
Esther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.com0tag:blogger.com,1999:blog-3142651457573975861.post-24277885574145311362014-08-15T06:14:00.000-07:002016-03-15T06:15:21.481-07:00School of Calidity at Five Years Summer Camp 2014 <div class="separator" style="clear: both; text-align: center;">
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<br />Esther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.com0tag:blogger.com,1999:blog-3142651457573975861.post-82738432561132307612013-12-14T13:31:00.001-08:002013-12-14T13:32:35.517-08:00Art in the Age of Fatalism ( from Jacobin online magazine ) <br />
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<span style="font-family: Courier New, Courier, monospace; font-size: x-small;">by <a href="http://jacobinmag.com/author/sam-gindin/" rel="author" style="color: #333333; text-decoration: none;" title="Posts by Sam Gindin">Sam Gindin</a></span></div>
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<h3 style="color: #e04034; font-weight: 300; margin-bottom: 30px; text-align: center;">
<span style="font-family: Courier New, Courier, monospace; font-size: x-small;">If art is to engage the world as an active force, it needs to be both grounded in the world of everyday life and go beyond it.</span></h3>
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<span style="font-family: Courier New, Courier, monospace; font-size: x-small;">“What is the nature of art in a period of extreme ideological confusion and inverted political frustration?” That’s the question the iconic art critic John Berger struggled with in the aftermath of the defeats of 1968. Some four decades later the Left’s inability to take advantage of openings created by the great financial crash has placed Berger’s question on the agenda again. That he asked this of artists and not more generally was rooted in Berger’s special concern with the distinction between our desires and the world as it currently is. “All art,” he provocatively asserted, “is an attempt to define and make<i>unnatural</i> this distinction.”</span></div>
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<span style="font-family: Courier New, Courier, monospace; font-size: x-small;">Looking back, Berger credited the Cubists with grasping and confidently expressing the potentials for collapsing that distinction. For all the pain that accompanied technological development, “mass production promised eventually a world of plenty.” For all its oppressions, “imperialism had begun the process of unifying the world.” But the outbreak of World War I showed the limits of the Cubists’ artistic optimism. The problem, Berger concluded, was that “the Cubists imagined the world transformed but not the process of transformation.” It is that larger question – the process of actually getting to another world — that takes us beyond the artist and challenges the Left as a whole to cope with what can be done in this current moment of widespread disillusionment.</span></div>
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<span style="font-family: Courier New, Courier, monospace; font-size: x-small;">That disillusionment is itself now a major obstacle to social change. Our times are defined by a pervasive fatalism, particularly — but not only among working classes. Popular dissatisfactions live alongside the conviction that there is nothing substantive to be done about them. Capitalism is the only game in town. This fatalism helps neoliberalism reproduce itself; its material roots lie in the intersection of capitalism’s deeper penetration of social existence with the limited political strength of those who oppose it.</span></div>
<h4 style="font-weight: normal; line-height: 28px; margin-bottom: 30px; margin-top: 50px;">
<span style="font-family: Courier New, Courier, monospace; font-size: x-small;">The Specter of Fatalism</span></h4>
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<span style="font-family: Courier New, Courier, monospace; font-size: x-small;">Capitalism once promised material security, a lessening of inequalities, a deepening democracy and richer human lives. Such promises were central to its legitimation. The “American way” had a special status in all this; though attitudes in the rest of the world often reflected a love/hate relationship with the US, it was American production methods, patterns of consumption and popular culture that set the bar. But following the rebellions of the 1960s a historic shift occurred. Gains earlier presented as measures of progress were reformulated by elites as now representing barriers to success. Pressures mounted for the old promises to be abandoned.</span></div>
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<span style="font-family: Courier New, Courier, monospace; font-size: x-small;">Yet – and this is the disheartening paradox of the period since roughly the early 1980s — the reversal of capitalism’s promises led to no substantive crisis in its authority, and the neoliberal practices that brought us to the most recent economic crisis were subsequently not discarded but intensified. Moreover, for all the damage to the American model’s status as austerity was imposed on its working class, most countries nevertheless moved even closer to emulating the orientation of the United States. Germany, considered by many as the successor to Sweden and Japan in representing an alternative to the American variety of capitalism, now seems (in terms of its attachment to fiscal austerity at home and in its punishing demands on its neighbors) more American than America.</span></div>
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<span style="font-family: Courier New, Courier, monospace; font-size: x-small;">At a moment that should have led to the most serious discussions of alternatives to capitalism, such alternatives have in fact further receded from public deliberations. Capitalism’s defects are experienced as individual failures, and personal frustrations replace social critiques. This applies not only to “ordinary” citizens but also to intellectuals and activists who have too often believed that their broader perspectives would act as a protective shield against such a malaise.</span></div>
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<span style="font-family: Courier New, Courier, monospace; font-size: x-small;">How have we have come to this impasse? How has capitalism managed to present itself to the working class as not so much the best alternative as the<i>only </i>alternative?</span></div>
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<span style="font-family: Courier New, Courier, monospace; font-size: x-small;">The Left has, not for the first time, underestimated both capitalism’s resiliency and the powerful impact its structures have on popular hopes. Concrete hope – what we not only hope for but are committed to bringing to life — is always intimately related to and limited by what we consider possible. And possibilities are framed not only and not even primarily by explicitly ideological apparatuses (the media, education and religion) but by the daily impact on popular consciousness of unilateral management power, the discipline of competitive markets, pervasive commercialization, debt dependency, globalization, and the disappointments of liberal democracy.</span></div>
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<span style="font-family: Courier New, Courier, monospace; font-size: x-small;">Similarly, the continuation of the American empire’s leading role within capitalism is not a matter of America’s moral leadership, but of the capacities that the American state and American institutions more generally continue to bring to the making, deepening and expansion of capitalist social relations. Coming to grips with fatalism therefore demands addressing how lived experiences overlap with key economic trends like neoliberalism, financialization, and globalization and how this is reinforced by the Left’s inability to create oppositional forces.</span></div>
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<span style="font-family: Courier New, Courier, monospace; font-size: x-small;">Fatalism, it should be noted, is not synonymous with passivity. Injustice does, of course, elicit expressions of discontent. Workers file grievances and sometimes go on strike, people vote, demonstrations occur. What nevertheless characterizes these responses as fatalistic is their self-imposed limits in taking the existing social structures and power relations of society as given or in imagining an alternative but not believing there is a way of getting there. Fatalism is also reflected, as Leo Panitch and I have argued, in the fear “well-honed by twentieth century experience as well as ruling-class propaganda, of the perverse consequences of the attempt to put utopian visions into practice.”</span></div>
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<span style="font-family: Courier New, Courier, monospace; font-size: x-small;">Social democracy encompasses all these elements of fatalism. Its practitioners may in fact be both committed and active in pursuing reforms, but since such reforms are confined by capitalism and its logic, they have offered only a kinder, gentler neoliberalism. In the context of a world crashing down on people’s lives, the limits of such reforms (especially from a political party that is ostensibly “in opposition”) reinforces popular fatalism. And the justification social democrats offer to explain these limits (going further is impossible given the constraints of capitalism) only serves to educate its social base towards fatalism.</span></div>
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<span style="font-family: Courier New, Courier, monospace; font-size: x-small;">It might seem that emerging social movements, coming out of a new generation and bearing the slogan of “another world is possible,” stand in direct contrast to social democracy’s limited horizons. But their theory and practice, unfortunately, is also debilitated by a more subtle acceptance of the world as it is. Leaving aside the nihilism of some, the fact that activists remain very much in the minority among young people and that activists themselves often “move on” as they get older and their life circumstances change, the issue here is a <i>strategic fatalism.</i></span></div>
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<span style="font-family: Courier New, Courier, monospace; font-size: x-small;">For all their energy, passion, and tactical creativity, the efforts of activist youth from 1990s through Occupy have tended (some notable exceptions aside) to be sporadic, localized, and symbolic. There has consequently been little consolidation of spaces of resistance and equally limited development of capacities for substantive popular outreach. The primary focus on <i>protest</i>carried with it an inclination to ignore and in some cases even scoff at seriously considering what it would take to fundamentally challenge capitalism and eventually replace it. Unable to think big, these protests have increasingly been unable to even win small. Unable to act more ambitiously, they are largely limited to defensively protesting the latest specific attack on our lives.</span></div>
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<span style="font-family: Courier New, Courier, monospace; font-size: x-small;">The theater of Brecht seems so appropriate to our times because it challenges his audience to directly confront the issue of fatalism. Brecht’s uncompromising starting point is that if we accept the social structures of capitalism, we are indeed left with the limited choices that undermine meaningful human agency. His technique of simultaneously engaging yet distancing the audience is intended to deny us the comfort of either romanticizing events or resolving, within the theater, the dilemmas posed. Whatever feelings and insights plays like Mother Courage invoke within the historical parameters of the action, Brecht is concerned to encourage the feelings and thoughts that go beyond this and look to transforming those very parameters. Art then becomes a weapon against fatalism.</span></div>
<h4 style="font-weight: normal; line-height: 28px; margin-bottom: 30px; margin-top: 50px;">
<span style="font-family: Courier New, Courier, monospace; font-size: x-small;">Work, Art, and Revolution</span></h4>
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<span style="font-family: Courier New, Courier, monospace; font-size: x-small;">The central Marxist critique of capitalism is located on the terrain of human capacities. Capitalism is unjust and undemocratic not because of this or that imperfection in relation to ideal conceptions of equality or freedom. We reject capitalism because at its core it involves the control by some of the time, creativity, and potential of others. And the narrowness of the market discipline capitalism imposes as part of that drive to constant accumulation frustrates humanity’s capacity for social liberation.</span></div>
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<span style="font-family: Courier New, Courier, monospace; font-size: x-small;">This critique of capitalism should resonate with artists on a number of fronts. Most obviously, the fact of being an artist invites solidarity with workers robbed of their potential creativity. And as producers, artists are constrained by who finances art in an unequal society and therefore on what is produced and for whom. When artists try to escape that limit and use their art critically, its access to an audience is generally limited. A society that increasingly reduces most of its members to precarious sellers of labor power, unsurprisingly, develop the capacity of the many to appreciate the language of art.</span></div>
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<span style="font-family: Courier New, Courier, monospace; font-size: x-small;">To return to Berger’s question, what then is the role of radical art in a time such as this? It would be a shame if art, taking fatalism as a fixed reality, was reduced to consoling us in our despondency. On the other hand, it would be naïve to expect too much from art. Though the years since Berger issued his challenge have confirmed that the soul-destroying world that capitalism more and more offers us is a fundamental barrier to human development, art itself cannot overcome this situation. Art can move us emotionally and intellectually, but however valuable it can be in this regard it cannot on its own transform the power relations of society. Such a radical change demands the development of radical political institutions and practices. Addressing this means that artists have to step out beyond their studios and workplaces to act in the world as directly political people.</span></div>
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<span style="font-family: Courier New, Courier, monospace; font-size: x-small;">The Belgian philosopher and art historian Lieven De Cauter has distinguished between “good politics,” which needs to be decisive in its goals and practices, and “good art,” which is by its nature ambiguous about moral and political commitments. To describe a character in a novel as “good” does not necessarily refer to their morality or politics but may describe the success of the artist in capturing a truth, passing on insights, taking us into exciting or troubling uncharted territories. This seems especially relevant to the present moment. With left politics in limbo, and being at an early stage in building the hope, confidence, and capacities for moving beyond capitalism, the current counter to fatalism is not certitude but<i>possibility and experimentation – </i>terrain that would seem to give special weight to the contribution of “good art.” The weight of art within the political is likewise reinforced by the fact that understanding often begins with the emotional and only then moves on to a concern with the structural limits on our lives.</span></div>
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<span style="font-family: Courier New, Courier, monospace; font-size: x-small;">Today, an activist art needs to have an ambitious agenda. It must assimilate a critique of capitalism’s impact on human possibilities. It must challenge capitalism’s restriction of the scope of who initiates and purchases artistic production. And it must work to broaden the audience of people who have been trained in the skills needed to appreciate art. When art refuses to be a shill for the status quo and thereby opens spaces to go beyond what exists, it takes on its crucial political role. Such art makes the invisible visible, the implicit explicit. It reveals the individual as social by showing or suggesting common hopes and frustrations. It explores – without shying away from complexities – the relationship between the local and the international, the particular and the universal, the static and the dynamic. It questions everything and engages in constant exploration.</span></div>
<div style="color: #333333; line-height: 1.6em;">
<span style="font-family: Courier New, Courier, monospace; font-size: x-small;">Yet if art is to engage the world as an active force, it needs to be both grounded in the world of everyday life and, as Brecht argued, to go beyond it. An impressive example of this has been the <a href="http://www.steirischerherbst.at/2013/english/calendar/calendar.php?eid=17" style="color: #e04034; text-decoration: none;">remarkable exhibit</a> “Liquid Assests,” which probed “how money and debt morality can define and deform interpersonal relationships.” In some cases art might be directly functional to political projects (political posters, agit-prop theater) but the emphasis on the political does not necessarily imply the <i>subordination</i> of art to politics.</span></div>
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<span style="font-family: Courier New, Courier, monospace; font-size: x-small;">In fact, art can best contribute to social change if it acts in an autonomous way alongside the political. Its explorations must share certain sentiments with its political compatriots, but it must also remain prepared to interrogate and critique the Left itself.</span></div>
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Esther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.com0tag:blogger.com,1999:blog-3142651457573975861.post-30364216394790928902013-08-03T16:00:00.001-07:002015-04-26T15:27:03.375-07:00Ana María Millán Arkham Asylum <div style="background-color: white;">
<span class="headline" style="line-height: 16px;"><span style="font-family: Courier New, Courier, monospace;"><a href="http://www.fiveyears.org.uk/archive2/pages/170/arkham-asylum/170_02.html" style="color: black; text-decoration: none;">Ana María Millán:</a><br />Arkham Asylum at Five Years</span></span></div>
<span style="font-family: Courier New, Courier, monospace;"><span style="background-color: white;">Screening & Seminar Saturday 8th June. Curated by Esther Planas</span><br style="background-color: white;" /><br style="background-color: white;" /><span style="background-color: white;">Following the invitation to use our site / space as a residence to produce and experiment with a new series of works, Ana María Millán felt she wanted to ponder about the particular structural ethos that the Five Years project represents, and to set up the production working process in a way that would explore (while mirroring) the structure of the organisation that is hosting her.</span><br style="background-color: white;" /><span style="background-color: white;">She coincides with my interests and preoccupations with the politics of artist-run projects .In this case, she looks at two mental health institutions that we can call peripheral because of their unusual characteristics: Core Arts Centre, Hackney and the fictional Arkham Asylum Batman DC and proposes a link of their structural signifier to Five Years and to Helena Producciones which is the artist-run production group that Ana María belongs to.</span><br style="background-color: white;" /><span style="background-color: white;">The main gallery space will become a place to build up new relations and re-create narratives between referential texts. The fictional Elizabeth Arkham Asylum serves as a channelling “haunted like” virtual place.</span><br style="background-color: white;" /><span style="background-color: white;">As we penetrate inside its virtual comic strip walls, the idea of its political form and content reveals it self as a model that opens for discussion about the ethical depths of convivial issues and the managerial distribution of power and responsibility related to the insides of alternative and experimental enterprises inside or at the border of the Institution, including the always too uncomfortable to look at to, as the ones caring for mental health.</span><br style="background-color: white;" /><span style="background-color: white;">Based on a series of exercises on film, recorded conversations and performances. Ana María Millán, will shoot, edit and finish a film.</span><br style="background-color: white;" /><span style="background-color: white;">Saturday 8 of June, Ana María, will introduce her project to the public on an artist talk followed by the screening of her film . We are aiming to produce material for papers about issues related to precariousness, love or its lack, self-made and self-managed parallel or alternative institutions and madness as an object/subject that has been capitalised from various fronts.</span><br style="background-color: white;" /><span style="background-color: white;"> </span><br style="background-color: white;" /><span style="background-color: white;">Esther Planas</span></span><br />
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<span style="font-family: Courier New, Courier, monospace;"><a href="http://www.fiveyears.org.uk/archive2/pages/170/arkham-asylum/170_02.html" style="color: black;">Ana María Millán</a>, Cali, Colombia<br />lives and works between Cali and Berlin<br /><br /><br /><a href="http://www.anamariamillan.info/" style="color: black;" target="_blank">www.anamariamillan.info</a><br /><a href="http://www.helenaproducciones.org/" style="color: black;" target="_blank">www.helenaproducciones.org</a><br /> </span></div>
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<br />Esther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.com0tag:blogger.com,1999:blog-3142651457573975861.post-24951407794231815782012-05-05T03:18:00.004-07:002013-08-03T14:56:30.459-07:00<div class="separator" style="clear: both; text-align: center;">
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<br />Louhttp://www.blogger.com/profile/04067384711783079260noreply@blogger.com1tag:blogger.com,1999:blog-3142651457573975861.post-85666218790611615612012-04-12T16:26:00.000-07:002013-08-03T14:59:19.116-07:00///now, microtheatres///////////<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Courier New, Courier, monospace;"><b><span lang="EN-US" style="font-size: 11pt;">NOW, MICROTHEATRES </span></b><span lang="EN-US" style="font-size: 11pt;">is a performance event
organized and curated by Lisa Jeschke and Lucy Beynon, including work by </span><span style="font-size: 11pt;">David Berridge, Ellie
Bradford, Irum Fazal, Kiran Kaur Brar, Lisa Jeschke, Lucy Beynon, Ollie Evans,
Stefan Riebel,</span><span style="font-size: 11pt;"> </span><span style="font-size: 11pt;">Jonny
Liron and Mischa Twitchin.</span></span></div>
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<span style="font-family: Courier New, Courier, monospace;"><b><span style="font-size: 11pt;">SATURDAY 14th
APRIL</span></b><span style="font-size: 11pt;"> –
open (bar) from <b>7.30pm</b>, performances
begin at <b>8pm</b></span><b><span lang="EN-US" style="font-size: 11pt;"></span></b></span></div>
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<span style="font-family: Courier New, Courier, monospace;"><b><span lang="EN-US" style="font-size: 11pt;">NOW, MICROTHEATRES </span></b><span lang="EN-US" style="font-size: 11pt;">is the final event in<b> Sideshow
and Other Stories,</b></span><span lang="EN-US" style="font-size: 11pt;"> a series of performance pieces developed in response to Five Years'
gallery space by artists working in the field of experimental theatre. Each participant
occupied the gallery for a weekend: their contributions have included both
performance and other physical interventions in the space that function as set,
installation or material residue for the following occupant to work with.</span></span></div>
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<span style="font-family: Courier New, Courier, monospace; font-size: 11pt;">Project initiated by Marc Hulson (with thanks to
Chris Goode and Jonny Liron)</span></div>
five yearshttp://www.blogger.com/profile/17881461131158392631noreply@blogger.com0tag:blogger.com,1999:blog-3142651457573975861.post-80859302317199367072012-04-10T07:39:00.002-07:002012-04-10T07:41:54.197-07:00week 2 // Sunday 3pm till 6pm// Action one 19///<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqYglU4hpHaf0AD5qqoQFiY_rOxEVPjj3iRFFLHpjDVZM8CrIfVZ0dGRNMsyT7lcQOuieH_5ZkdEmyT5YTdKR_RBp1q7POrkif3ZmVMcHCcBZgE2H4ksgUby98nzFBuzVhSx5pmvo86wCU/s1600/per1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="288" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqYglU4hpHaf0AD5qqoQFiY_rOxEVPjj3iRFFLHpjDVZM8CrIfVZ0dGRNMsyT7lcQOuieH_5ZkdEmyT5YTdKR_RBp1q7POrkif3ZmVMcHCcBZgE2H4ksgUby98nzFBuzVhSx5pmvo86wCU/s400/per1.jpg" width="400" /></a></div><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaw47cA9Ht20ZYxSUcXj0jevaL7gjyeMQLwhF0LOLFd_M4YN8bvrIeVw_AU4zeKNKQ_QyCUBPbxZaNov1GZ2zIFXXiuljGWEaKbEBvvNTBIfR0p2PP8kj3i-yWD_xMMgQDJkFWwafTm8HV/s1600/per20.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaw47cA9Ht20ZYxSUcXj0jevaL7gjyeMQLwhF0LOLFd_M4YN8bvrIeVw_AU4zeKNKQ_QyCUBPbxZaNov1GZ2zIFXXiuljGWEaKbEBvvNTBIfR0p2PP8kj3i-yWD_xMMgQDJkFWwafTm8HV/s640/per20.jpg" width="480" /></a></div>Esther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.com0tag:blogger.com,1999:blog-3142651457573975861.post-9029672519423982992012-04-07T15:36:00.001-07:002012-04-07T15:36:53.912-07:00//////ACTION one19//////<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Garamond;">Action one19:</span></div>
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<b><span style="font-family: Garamond;">“I Understand and I Wish To Continue” (Silverlake
Retrieval Action)</span></b></div>
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<span style="font-family: Garamond;">Action one19’s new work
is inspired by the emerging discipline of ‘anticipatory history’, which, like
the kinds of theatre that Action one19 makes and approves of and argues for, is
concerned with the narrative and analytical tools we use in order to imagine
how we might live together in the future.</span></div>
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<span style="font-family: Garamond;">The project is conceived
in response to our friend Dennis Cooper’s blog, which has for several years
presented an exemplary site for information-sharing, testimony, negotiation,
collaboration, avowedly anarchic community formation, sexual nonconformism and cultural
provocation. The blog has recently been placed behind a ‘Content warning’
disclaimer wall by Blogger, as “some readers . . . believe that this blog’s
content is objectionable”. Potential users of the blog are given a choice of
buttons to click: “I UNDERSTAND AND I WISH TO CONTINUE” versus “I do not wish
to continue”.</span></div>
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<span style="font-family: Garamond;">In common with much of
Action one19’s work, this piece is concerned with the structures through which
consent is given and withheld, and the contexts in which questions of consent
are, variously, raised and suppressed. Through what actions and processes might
we refuse to consent to a future we do not want? And how can the action of
consenting, almost as a mode of artistic practice in itself, and a
re-examination of normative thresholds for consent and refusal, open up a space
for a different perception to emerge of our many possible futures?</span></div>
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<span style="font-family: Garamond;">The piece is in the form
of two co-dependent diptychs: the first of which is the pairing of the
different presentations on the Saturday and Sunday of this weekend; the second
is the presence of two actors in adjacent spaces in the Sunday performance.</span></div>
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<span style="font-family: Garamond;">On Saturday, a sound /
text piece, ‘Proposal in anticipation’, plays in the gallery.</span></div>
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<span style="font-family: Garamond;">On Sunday, a durational
performance, ‘“I Understand and I Wish To Continue” (Silverlake Retrieval
Action)’, will take place between 3–6pm. Visitors to the gallery are welcome to
come and go as they please. In the piece, two actors navigate a body of 100
instruction-based tasks or directions, to each of which they may choose to
consent or not. Choosing not to consent to a particular sequence of action will
require that they begin again at the start of the score, though they may take a
different route the next time. Certain instructions may require them, or invite
them, to involve the other actor, or, in some cases, to engage and interact
with a visitor to the gallery. All visitors may choose, without question,
whether or not they wish to consent to the invited course of involvement: there
is no expectation of consent, but also, always, in the light of the
performance, the possibility of a suspension of normative boundaries.</span></div>
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<span style="font-family: Garamond;">Actors: Jonny Liron and
Sean Hart.</span></div>
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<b><span style="font-family: Garamond;">Action one19</span></b><span style="font-family: Garamond;"> is the collaborative partnership between theatre makers Jonny Liron
and Chris Goode. Since their first project together, <i>Hey Mathew</i>, in 2008, they have made a number of fugitive and
dissident pieces emerging from their commitment to queer and anticapitalist
action: these include <i>O Vienna </i>(2009),
<i>at 22 </i>(2010), <i>in situ </i>(2010), <i>World of Work
</i>(2010), and <i>Angry, Red </i>(2011).</span></div>
<br />five yearshttp://www.blogger.com/profile/17881461131158392631noreply@blogger.com0tag:blogger.com,1999:blog-3142651457573975861.post-41854963887203635862012-04-07T05:50:00.000-07:002012-04-07T12:15:44.041-07:00Kris Rowland /////// 'Come': Performance at Five Years /////// 31/03/12<div class="separator" style="clear: both; text-align: center;">
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<br />five yearshttp://www.blogger.com/profile/17881461131158392631noreply@blogger.com0tag:blogger.com,1999:blog-3142651457573975861.post-91307733611593506822012-03-29T15:09:00.000-07:002012-03-29T15:10:46.774-07:00Five Years @ La Scatola ///// 29/3/12<a href="http://4.bp.blogspot.com/-H7JNmj0QMPQ/T3Td1vwnzwI/AAAAAAAAF_8/yHvFh0MHbK8/s1600/IMAG0488.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 266px; height: 400px;" src="http://4.bp.blogspot.com/-H7JNmj0QMPQ/T3Td1vwnzwI/AAAAAAAAF_8/yHvFh0MHbK8/s400/IMAG0488.jpg" alt="" id="BLOGGER_PHOTO_ID_5725444941717950210" border="0" /></a><br /><a href="http://4.bp.blogspot.com/-ge1qmiOb49Q/T3Td1ImxDoI/AAAAAAAAF_w/eZj7BRwKTYQ/s1600/IMAG0486.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 400px; height: 266px;" src="http://4.bp.blogspot.com/-ge1qmiOb49Q/T3Td1ImxDoI/AAAAAAAAF_w/eZj7BRwKTYQ/s400/IMAG0486.jpg" alt="" id="BLOGGER_PHOTO_ID_5725444931207630466" border="0" /></a><br /><a href="http://1.bp.blogspot.com/-GwXQFVhnNEQ/T3Td0BliCTI/AAAAAAAAF_k/y4ri7Fwj-Ek/s1600/IMAG0485.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 400px; height: 266px;" src="http://1.bp.blogspot.com/-GwXQFVhnNEQ/T3Td0BliCTI/AAAAAAAAF_k/y4ri7Fwj-Ek/s400/IMAG0485.jpg" alt="" id="BLOGGER_PHOTO_ID_5725444912143534386" border="0" /></a><br /><a href="http://2.bp.blogspot.com/-kKf3lpiG1os/T3TdzvY99jI/AAAAAAAAF_Y/7Nme38cRorE/s1600/IMAG0484.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 400px; height: 266px;" src="http://2.bp.blogspot.com/-kKf3lpiG1os/T3TdzvY99jI/AAAAAAAAF_Y/7Nme38cRorE/s400/IMAG0484.jpg" alt="" id="BLOGGER_PHOTO_ID_5725444907259000370" border="0" /></a><br /><a href="http://3.bp.blogspot.com/-dZ4ZZB0Geoo/T3Td2YCnOaI/AAAAAAAAGAI/RSdz7iM5mU8/s1600/IMAG0489.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 400px; height: 266px;" src="http://3.bp.blogspot.com/-dZ4ZZB0Geoo/T3Td2YCnOaI/AAAAAAAAGAI/RSdz7iM5mU8/s400/IMAG0489.jpg" alt="" id="BLOGGER_PHOTO_ID_5725444952530827682" border="0" /></a>Louhttp://www.blogger.com/profile/04067384711783079260noreply@blogger.com0tag:blogger.com,1999:blog-3142651457573975861.post-16367811747029409292012-01-28T03:37:00.001-08:002012-01-28T03:37:58.474-08:00<a href="http://fiveyears.org.uk/between_desert_and_occupation.html"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 375px; height: 400px;" src="http://2.bp.blogspot.com/-P1ROlRybAtc/TyPd_8g1WJI/AAAAAAAAFzk/Eyx0ydnaFi0/s400/01ekstasis.gif" alt="" id="BLOGGER_PHOTO_ID_5702645643826518162" border="0" /></a>Louhttp://www.blogger.com/profile/04067384711783079260noreply@blogger.com0tag:blogger.com,1999:blog-3142651457573975861.post-38507624344477929372011-11-10T01:26:00.000-08:002011-11-10T01:27:42.255-08:00BOOK WORKS OPEN SUBMISSIONS SERIES<div class="title gill">BOOK WORKS OPEN SUBMISSIONS SERIES<br /></div> <span class="hoefler"> <div class="field field-type-datetime field-field-date2"> <div class="field-items"> <div class="field-item odd"> <span class="date-display-start">1 December 2011</span><span class="date-display-separator"> - </span><span class="date-display-end">1 September 2012</span> </div> </div> </div> <p>Deadline for applications: 1 December 2011</p>Download the form <a href="https://www.bookworks.org.uk/node/1676">here</a><br /><p>Book Works is looking for proposals for a new series of quick-fire, rapid-response projects from artist/writer collectives or individual art practices engaged with emerging political struggles. We are interested in proposals that reject the idea of culture as a playground for the elite; that engage in the potent mix of free discourse, solidarity and the production of new desires; which are prepared to break open old worlds, either in the virtual space of communication and networks; or in the concrete world of action, discourse and distribution.<br />From strikes to sit-ins and protests to collective provocations, we are looking for proposals that engage in, transform or are otherwise informed by political issues and contemporary actions and activities, to produce publications using various formats: the tabloid, the broadsheet, the poster and the pamphlet, both as traditional print or online formats.</p> <p>Book Works is offering up to six commissions selected from open submission. We are particularly interested in the possibilities of collective projects producing printed material in a spontaneous manner or rapid manner and we welcome proposals using various formats: from the tabloid, broadsheet, poster and the pamphlet, to web 2.0 platforms. </p> <p>New commissions will be published from Spring/Summer 2012</p></span>Louhttp://www.blogger.com/profile/04067384711783079260noreply@blogger.com0tag:blogger.com,1999:blog-3142651457573975861.post-53810111146417253162011-10-28T03:21:00.000-07:002011-10-28T04:48:46.098-07:00THIS IS NOT A SCHOOL DAY 16<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidXoiLAUdZLV-vHjy3c4x9-6My2Hdr6W42U7wLEfCruZOE3LLOXOy0ua6D7O5uYYjFxIYziEKCswySG9x31G5lH3zz9GZfFkZpQxjzi5qSFrqZmN4_wn2jRwS5sbHqi5JXJaQtFEal8EmF/s1600/Screen+shot+2011-10-28+at+11.19.05.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidXoiLAUdZLV-vHjy3c4x9-6My2Hdr6W42U7wLEfCruZOE3LLOXOy0ua6D7O5uYYjFxIYziEKCswySG9x31G5lH3zz9GZfFkZpQxjzi5qSFrqZmN4_wn2jRwS5sbHqi5JXJaQtFEal8EmF/s1600/Screen+shot+2011-10-28+at+11.19.05.png" /></a></div><br />
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Film Screening by Steven Eastwood///////////////////////////////////////////////////////////////////////////////////////////////////////////<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0e5Kp8lybUWSWTQcRwWzrjZKgsjeH8O8GYWDLyvAsc1wXeRR7dYBnwsi_4G5qwn7NyE0IeiK2d2gzSl3tJN5EUJy8Iq4dLsNHZEBh2zZc81LbHbdJALO2yvWANMrD9KyiShz2l10UPHE3/s1600/Screen+shot+2011-10-28+at+12.34.22.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0e5Kp8lybUWSWTQcRwWzrjZKgsjeH8O8GYWDLyvAsc1wXeRR7dYBnwsi_4G5qwn7NyE0IeiK2d2gzSl3tJN5EUJy8Iq4dLsNHZEBh2zZc81LbHbdJALO2yvWANMrD9KyiShz2l10UPHE3/s1600/Screen+shot+2011-10-28+at+12.34.22.png" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiv18vSCy4eIDbu03EDww_miFNZabxh048uWNegPEQQVVNrzJTLq645deX9k-zo5j4gz8xLbUUw6jWtBBf2BVPL88-tXIk9871bbgOFF_REQvBi4yxKQt4umfuuyaXWq2F8d-hTi0TJ6iYW/s1600/Screen+shot+2011-10-28+at+12.34.49.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiv18vSCy4eIDbu03EDww_miFNZabxh048uWNegPEQQVVNrzJTLq645deX9k-zo5j4gz8xLbUUw6jWtBBf2BVPL88-tXIk9871bbgOFF_REQvBi4yxKQt4umfuuyaXWq2F8d-hTi0TJ6iYW/s1600/Screen+shot+2011-10-28+at+12.34.49.png" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTICVPhj1vAeRJuMqWnw-Eqd5MUCFh2pbkQNa7N4GmGkp_4lXGGtd4r-anfk1VdYbLAagdLJY9_NKCioSekDOpFuJE9mYlNkgJwiWjySCV65ckp6pJOUt5ov__URuPOMVvO-Wb0IHF1J4m/s1600/Screen+shot+2011-10-28+at+12.35.06.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTICVPhj1vAeRJuMqWnw-Eqd5MUCFh2pbkQNa7N4GmGkp_4lXGGtd4r-anfk1VdYbLAagdLJY9_NKCioSekDOpFuJE9mYlNkgJwiWjySCV65ckp6pJOUt5ov__URuPOMVvO-Wb0IHF1J4m/s1600/Screen+shot+2011-10-28+at+12.35.06.png" /></a></div><br />
This Is a Schole Kevin MolinEsther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.com0tag:blogger.com,1999:blog-3142651457573975861.post-65019288423048283332011-10-26T12:33:00.000-07:002011-10-26T12:48:50.492-07:00THIS IS NOT A SCHOOL DAY 14 AND 15<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIhYC350GEWQqZqkVBu8WxoZDqvR-JyNDde0z8nzbdfJeg8XkGTHDvyfAsaz3o9I6kVIfddym0bKSiPinWvo1l1MvQK9UZbqo8tdFJlDzNh8yPOX1sk_rpWHQxfEpyuQnc_Rv5gklmZNc4/s1600/Screen+shot+2011-10-26+at+17.11.26.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="338" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIhYC350GEWQqZqkVBu8WxoZDqvR-JyNDde0z8nzbdfJeg8XkGTHDvyfAsaz3o9I6kVIfddym0bKSiPinWvo1l1MvQK9UZbqo8tdFJlDzNh8yPOX1sk_rpWHQxfEpyuQnc_Rv5gklmZNc4/s640/Screen+shot+2011-10-26+at+17.11.26.png" width="640" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqA6ydRKRsNwmCSR5YzFgvAS_qVC-kgCU4UZOSmpQVGZlqnJaiSLWYlSxpHvjcOhK6o5AqGTCQxWeDeSkDUtez5beetfduu6KxWBCmBv7dq56w-npshyphenhyphenW1I3vJuLhNcAwqiyx2yXgFkvJ5/s1600/Screen+shot+2011-10-26+at+17.11.06.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="472" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqA6ydRKRsNwmCSR5YzFgvAS_qVC-kgCU4UZOSmpQVGZlqnJaiSLWYlSxpHvjcOhK6o5AqGTCQxWeDeSkDUtez5beetfduu6KxWBCmBv7dq56w-npshyphenhyphenW1I3vJuLhNcAwqiyx2yXgFkvJ5/s640/Screen+shot+2011-10-26+at+17.11.06.png" width="640" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiP0jFEzYq0FYMgipA2dhmd85aPAnXt55qsaXTGlxNDKd34IlCG29Vlyo2OhyRl3VvYsgs2w6i5I91nY0-u1AbUmzezHD4oxpbBWXFYuhQ7-grNZpP_72sZR4BIG-rUJog05MK_LFtzsuhG/s1600/Screen+shot+2011-10-26+at+17.09.44.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="338" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiP0jFEzYq0FYMgipA2dhmd85aPAnXt55qsaXTGlxNDKd34IlCG29Vlyo2OhyRl3VvYsgs2w6i5I91nY0-u1AbUmzezHD4oxpbBWXFYuhQ7-grNZpP_72sZR4BIG-rUJog05MK_LFtzsuhG/s640/Screen+shot+2011-10-26+at+17.09.44.png" width="640" /></a></div>Esther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.com0tag:blogger.com,1999:blog-3142651457573975861.post-8266404946479151162011-10-14T11:57:00.000-07:002011-10-14T11:57:33.770-07:00THIS IS NOT A SCHOOL NOW NOW NOW<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi85n4mZYPTDPeQTHzwVTX4mLZ6wT-9SLRE63jgMaVb90MWRCJdxYuc4wE2zlFxBZaDsgNoBfICyZlt0RzeqnfV7itMRSJyT0Rkp7PeQo3Q0ZVyxxeGzudPeXEyeftXA9s5QzluoVsans5d/s1600/Screen+shot+2011-10-14+at+19.51.05.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi85n4mZYPTDPeQTHzwVTX4mLZ6wT-9SLRE63jgMaVb90MWRCJdxYuc4wE2zlFxBZaDsgNoBfICyZlt0RzeqnfV7itMRSJyT0Rkp7PeQo3Q0ZVyxxeGzudPeXEyeftXA9s5QzluoVsans5d/s640/Screen+shot+2011-10-14+at+19.51.05.png" width="640" /></a></div><span class="Apple-style-span" style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 14px;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 14px;"><span class="Apple-style-span" style="font-size: large;">All Power to the Free Universities. </span></span><br />
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<span class="Apple-style-span" style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 14px;"><span class="Apple-style-span" style="font-size: large;">All Power to the Free Schools </span></span><span class="Apple-style-span" style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 14px;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 14px;"><span class="Apple-style-span" style="font-size: large;">Free. Imaginary. Faith. Radical. Academy. Real.<br />
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<span class="Apple-style-span" style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 14px;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 14px;"><span class="Apple-style-span" style="font-size: large;">Invisible. Communist. Autonomous. Business. </span></span><br />
<span class="Apple-style-span" style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 14px;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 14px;"><span class="Apple-style-span" style="font-size: large;">Kilquhanity. </span></span><span class="Apple-style-span" style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 14px;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 14px;"><span class="Apple-style-span" style="font-size: large;"><br />
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<span class="Apple-style-span" style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 14px;"><span class="Apple-style-span" style="font-size: large;">Copenhagen. Liverpool. Etc. Etc. Etc. ...</span></span>Esther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.com0tag:blogger.com,1999:blog-3142651457573975861.post-34855272024292883302011-09-17T13:10:00.000-07:002011-09-17T13:14:00.650-07:00Five Years<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJEiQome8pR39Gv-DK9fFnUONTfvZF_oElR5v-ADOeFLY9EfKUDRPWD7F2PHqlbxPVoMTlH8zWBKSC_0R33ltaqlHqch_nL_SzOUzitCz1PTtd6W5f6R4oPEjnBdv7RopUCmKPT8-4vf5O/s1600/Screen+shot+2011-09-17+at+21.08.05.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="287" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJEiQome8pR39Gv-DK9fFnUONTfvZF_oElR5v-ADOeFLY9EfKUDRPWD7F2PHqlbxPVoMTlH8zWBKSC_0R33ltaqlHqch_nL_SzOUzitCz1PTtd6W5f6R4oPEjnBdv7RopUCmKPT8-4vf5O/s640/Screen+shot+2011-09-17+at+21.08.05.png" width="640" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBubBboS1pQJe8H5t5PCHiQETY8kVvUQPSYA9DLU-7-PT2wHdosXkTwlTMGaPYHUWtPhFh4HKF15jz3a_uUvbD33sHTQBqe63Pl3f7ZYoEZe_eaE5bQ3rnslGn6Z8QBIi3tPymNsCKKrqF/s1600/Screen+shot+2011-09-17+at+21.08.35.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="355" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBubBboS1pQJe8H5t5PCHiQETY8kVvUQPSYA9DLU-7-PT2wHdosXkTwlTMGaPYHUWtPhFh4HKF15jz3a_uUvbD33sHTQBqe63Pl3f7ZYoEZe_eaE5bQ3rnslGn6Z8QBIi3tPymNsCKKrqF/s640/Screen+shot+2011-09-17+at+21.08.35.png" width="640" /></a></div>Esther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.com0tag:blogger.com,1999:blog-3142651457573975861.post-88644556536159745562011-06-13T08:04:00.000-07:002013-08-03T15:03:03.505-07:00The Weaklings at DC's Blog http://denniscooper-theweaklings.blogspot.com/<div class="region-inner header-inner">
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<span style="font-family: Courier New, Courier, monospace;">Monday, June 13, 2011</span></h2>
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<span style="font-family: Courier New, Courier, monospace;"><a href="http://denniscooper-theweaklings.blogspot.com/2011/06/slideshow-weaklings-art-exhibition.html">Slideshow: 'The Weaklings', an art exhibition curated by DC @ Five Years, London, 06/08/11 - 06/10/11</a> </span></h3>
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<a href="http://4.bp.blogspot.com/-vX-ItqrOXpk/TfSFptwTbpI/AAAAAAAA9Fs/04t2-UR3Fx4/s1600/IMG_5838.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" height="480" id="BLOGGER_PHOTO_ID_5617261586941177490" src="http://4.bp.blogspot.com/-vX-ItqrOXpk/TfSFptwTbpI/AAAAAAAA9Fs/04t2-UR3Fx4/s640/IMG_5838.JPG" width="640" /></span></a><br />
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<b><span style="font-family: Courier New, Courier, monospace;">Press release</span></b><br />
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<a href="http://3.bp.blogspot.com/-r3wiorKNbX8/TfSGj9QVyJI/AAAAAAAA9F0/VAFFVCtDUnk/s1600/W.PR.jpg"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617262587534493842" src="http://3.bp.blogspot.com/-r3wiorKNbX8/TfSGj9QVyJI/AAAAAAAA9F0/VAFFVCtDUnk/s400/W.PR.jpg" style="cursor: hand; cursor: pointer; height: 200px; width: 400px;" /></span></a><br />
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<a href="http://www.fiveyears.org.uk/"><span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">Five Years</span></a></div>
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<a href="http://transductions.net/2011/06/06/dennis-cooper-talks-the-weaklings/"><span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">DC interviewed about 'The Weaklings'</span></a></div>
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<a href="http://estherdeplanas.blogspot.com/"><span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">Esther Planas</span></a></div>
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<a href="http://www.kier-cs.com/"><span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">Kier Cooke Sandvik</span></a></div>
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<a href="http://j-mayhew-faint.blogspot.com/"><span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">Jonathan Mayhew</span></a></div>
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<a href="http://www.obdealessi.com/wp/"><span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">O.B. De Alessi</span></a></div>
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<a href="http://ohrenoir.blogspot.com/"><span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">Daniel Portland</span></a></div>
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<a href="http://www.kantorgallery.com/artists/alex-rose/"><span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">Alex Rose</span></a></div>
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<a href="http://untitled-sequence.blogspot.com/"><span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">Marc Hulson</span></a></div>
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<a href="http://pleasureiseasy.info/"><span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">Math Tinder</span></a></div>
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<a href="http://www.pappas-kelley.com/art/Home.html"><span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">Jared Pappas-Kelley</span></a></div>
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<a href="http://www.kiddiepunk.com/"><span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">Michael Salerno</span></a></div>
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<a href="http://emmawolf.blogspot.com/"><span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">Emma Wolf Deraze</span></a></div>
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<a href="http://stpurtill2.blogspot.com/"><span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">Steven Purtill</span></a></div>
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<a href="http://www.flickr.com/photos/electromagnetic/"><span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">Joel Westendorf</span></a></div>
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<a href="http://adnagaporp.deviantart.com/"><span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">CL Martin</span></a></div>
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<a href="http://userwww.sfsu.edu/~whsu/"><span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">Bill Hsu</span></a></div>
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<b><span style="font-family: Courier New, Courier, monospace;">Installing</span></b><br />
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<a href="http://2.bp.blogspot.com/-JahMCpRTCDA/TfSE9X-2YZI/AAAAAAAA9Fc/Yp1gzwZzDa4/s1600/IMG_5835.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617260825182364050" src="http://2.bp.blogspot.com/-JahMCpRTCDA/TfSE9X-2YZI/AAAAAAAA9Fc/Yp1gzwZzDa4/s400/IMG_5835.JPG" style="height: 300px; width: 400px;" /></span></a><br />
<a href="http://2.bp.blogspot.com/-vp0t7Fdt0MQ/TfSEN86I1SI/AAAAAAAA9FU/8CsbOf8hbD4/s1600/IMG_5826.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617260010460992802" src="http://2.bp.blogspot.com/-vp0t7Fdt0MQ/TfSEN86I1SI/AAAAAAAA9FU/8CsbOf8hbD4/s400/IMG_5826.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<a href="http://2.bp.blogspot.com/-KFNtH7LBJb0/TfSEEjNZrgI/AAAAAAAA9FM/kchA2JkdxPM/s1600/IMG_5828.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617259848943644162" src="http://2.bp.blogspot.com/-KFNtH7LBJb0/TfSEEjNZrgI/AAAAAAAA9FM/kchA2JkdxPM/s400/IMG_5828.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<a href="http://4.bp.blogspot.com/-6aAQpz5r_jI/TfSDSNEpyNI/AAAAAAAA9FE/jCH2y2JGdUY/s1600/IMG_5833.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617258984007911634" src="http://4.bp.blogspot.com/-6aAQpz5r_jI/TfSDSNEpyNI/AAAAAAAA9FE/jCH2y2JGdUY/s400/IMG_5833.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<a href="http://3.bp.blogspot.com/-o7Y74q-7n-8/TfSC1vYqunI/AAAAAAAA9E8/Q6nJetxBANg/s1600/IMG_5851.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617258495002458738" src="http://3.bp.blogspot.com/-o7Y74q-7n-8/TfSC1vYqunI/AAAAAAAA9E8/Q6nJetxBANg/s400/IMG_5851.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<a href="http://2.bp.blogspot.com/-nq3B3wHWf4I/TfSCeDQjgtI/AAAAAAAA9E0/qer1aNqa7hw/s1600/IMG_5853.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617258088020280018" src="http://2.bp.blogspot.com/-nq3B3wHWf4I/TfSCeDQjgtI/AAAAAAAA9E0/qer1aNqa7hw/s400/IMG_5853.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<a href="http://2.bp.blogspot.com/-q579NbFBh0g/TfSB16QAozI/AAAAAAAA9Es/tDWumZbccVg/s1600/IMG_5913.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617257398407308082" src="http://2.bp.blogspot.com/-q579NbFBh0g/TfSB16QAozI/AAAAAAAA9Es/tDWumZbccVg/s400/IMG_5913.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<a href="http://1.bp.blogspot.com/-y0fJvunMMCs/TfT07Nb2gAI/AAAAAAAA9IM/sDyYJYAgbck/s1600/IMG_1353.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617383933293789186" src="http://1.bp.blogspot.com/-y0fJvunMMCs/TfT07Nb2gAI/AAAAAAAA9IM/sDyYJYAgbck/s400/IMG_1353.JPG" style="cursor: hand; cursor: pointer; height: 299px; width: 400px;" /></span></a><br />
<a href="http://2.bp.blogspot.com/-lfTC2WfGFy8/TfSBqU-G1RI/AAAAAAAA9Ek/JF1Jro6e1pg/s1600/IMG_5915.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617257199421543698" src="http://2.bp.blogspot.com/-lfTC2WfGFy8/TfSBqU-G1RI/AAAAAAAA9Ek/JF1Jro6e1pg/s400/IMG_5915.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
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<span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">pictured: Marc Hulson (tender prey), Michael Salerno (kiddiepunk), OB De Alessi (Oscar B), Esther Planas, DC, Emma Wolf Deraze (Wolf), Jonathan Mayhew (Bollo).</span><br />
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<span style="font-family: Courier New, Courier, monospace;"><br /></span>
<b><span style="font-family: Courier New, Courier, monospace;">'The Weaklings'</span></b><br />
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<b><span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">Room 1</span></b><br />
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<a href="http://1.bp.blogspot.com/-H1xj1Nu5nEk/TfR_klXkO-I/AAAAAAAA9Ec/Y2F7AdtNA4Q/s1600/IMG_5925.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617254901720824802" src="http://1.bp.blogspot.com/-H1xj1Nu5nEk/TfR_klXkO-I/AAAAAAAA9Ec/Y2F7AdtNA4Q/s400/IMG_5925.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<a href="http://4.bp.blogspot.com/-6XAopSjeSvE/TfR_aCgpbfI/AAAAAAAA9EU/A8x3O7EBsNw/s1600/IMG_5892.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617254720564981234" src="http://4.bp.blogspot.com/-6XAopSjeSvE/TfR_aCgpbfI/AAAAAAAA9EU/A8x3O7EBsNw/s400/IMG_5892.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<a href="http://4.bp.blogspot.com/-naQgXcQA2Wc/TfR-3dwc68I/AAAAAAAA9EM/1OKzU1stf0g/s1600/IMG_5890.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617254126583606210" src="http://4.bp.blogspot.com/-naQgXcQA2Wc/TfR-3dwc68I/AAAAAAAA9EM/1OKzU1stf0g/s400/IMG_5890.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<a href="http://2.bp.blogspot.com/-7L0K-9ClTX4/TfR-ul2hnKI/AAAAAAAA9EE/1Vu1_-XODYg/s1600/IMG_5889.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617253974137740450" src="http://2.bp.blogspot.com/-7L0K-9ClTX4/TfR-ul2hnKI/AAAAAAAA9EE/1Vu1_-XODYg/s400/IMG_5889.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<a href="http://2.bp.blogspot.com/-51aqpSlUkKs/TfR-fNuDOWI/AAAAAAAA9D8/odpduDU7Xho/s1600/IMG_5887.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617253709961705826" src="http://2.bp.blogspot.com/-51aqpSlUkKs/TfR-fNuDOWI/AAAAAAAA9D8/odpduDU7Xho/s400/IMG_5887.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<a href="http://2.bp.blogspot.com/-XdCsOpAI7fE/TfR-CgYVEiI/AAAAAAAA9D0/G7IEgwY5bko/s1600/IMG_5901.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617253216754668066" src="http://2.bp.blogspot.com/-XdCsOpAI7fE/TfR-CgYVEiI/AAAAAAAA9D0/G7IEgwY5bko/s400/IMG_5901.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
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<b><span style="font-family: Courier New, Courier, monospace;">The works</span></b><br />
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<a href="http://4.bp.blogspot.com/-3n9T8McgO-c/TfR8BGHBuWI/AAAAAAAA9Ds/Y8VUVmf8ALw/s1600/IMG_5879.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617250993499650402" src="http://4.bp.blogspot.com/-3n9T8McgO-c/TfR8BGHBuWI/AAAAAAAA9Ds/Y8VUVmf8ALw/s400/IMG_5879.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">Esther Planas</span><br />
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<a href="http://2.bp.blogspot.com/-qxMNh7T3NQA/TfR7bSE2iwI/AAAAAAAA9Dg/yUe3mFilCjY/s1600/IMG_5871.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617250343876725506" src="http://2.bp.blogspot.com/-qxMNh7T3NQA/TfR7bSE2iwI/AAAAAAAA9Dg/yUe3mFilCjY/s400/IMG_5871.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<a href="http://3.bp.blogspot.com/-ES2WIQWxuz8/TfR7R0095cI/AAAAAAAA9DY/IBXp9XeX7yE/s1600/IMG_5872.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617250181406647746" src="http://3.bp.blogspot.com/-ES2WIQWxuz8/TfR7R0095cI/AAAAAAAA9DY/IBXp9XeX7yE/s400/IMG_5872.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">Kier Cooke Sandvik</span><br />
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<a href="http://3.bp.blogspot.com/-_c3WXTC3ZFA/TfR66IhoE4I/AAAAAAAA9DQ/S2jjsgFL924/s1600/IMG_5870.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617249774377374594" src="http://3.bp.blogspot.com/-_c3WXTC3ZFA/TfR66IhoE4I/AAAAAAAA9DQ/S2jjsgFL924/s400/IMG_5870.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">Jonathan Mayhew</span><br />
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<a href="http://4.bp.blogspot.com/-6sL26HR4TCw/TfR6q5aedqI/AAAAAAAA9DI/AiqwugKu5Ro/s1600/IMG_5869.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617249512622814882" src="http://4.bp.blogspot.com/-6sL26HR4TCw/TfR6q5aedqI/AAAAAAAA9DI/AiqwugKu5Ro/s400/IMG_5869.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<a href="http://2.bp.blogspot.com/-33yxyipl6AQ/TfT0WRySk1I/AAAAAAAA9H8/95x_6zWbnSY/s1600/IMG_8026.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617383298806485842" src="http://2.bp.blogspot.com/-33yxyipl6AQ/TfT0WRySk1I/AAAAAAAA9H8/95x_6zWbnSY/s400/IMG_8026.JPG" style="cursor: hand; cursor: pointer; height: 267px; width: 400px;" /></span></a><br />
<a href="http://3.bp.blogspot.com/-g2PfDTP3eYk/TfT0RWoXVOI/AAAAAAAA9H0/rDejWRVDhFg/s1600/IMG_8027.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617383214207685858" src="http://3.bp.blogspot.com/-g2PfDTP3eYk/TfT0RWoXVOI/AAAAAAAA9H0/rDejWRVDhFg/s400/IMG_8027.JPG" style="cursor: hand; cursor: pointer; height: 267px; width: 400px;" /></span></a><br />
<a href="http://4.bp.blogspot.com/-YDDYkUDYpE8/TfT0LkMzakI/AAAAAAAA9Hs/XxGOunjfDkI/s1600/IMG_8028.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617383114770967106" src="http://4.bp.blogspot.com/-YDDYkUDYpE8/TfT0LkMzakI/AAAAAAAA9Hs/XxGOunjfDkI/s400/IMG_8028.JPG" style="cursor: hand; cursor: pointer; height: 267px; width: 400px;" /></span></a><br />
<span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">OB De Alessi</span><br />
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<a href="http://4.bp.blogspot.com/-tamwWX_om0Y/TfR6dQTgmOI/AAAAAAAA9DA/mjeidOX7tHA/s1600/IMG_5867.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617249278249441506" src="http://4.bp.blogspot.com/-tamwWX_om0Y/TfR6dQTgmOI/AAAAAAAA9DA/mjeidOX7tHA/s400/IMG_5867.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">Daniel Portland</span><br />
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<a href="http://1.bp.blogspot.com/-7AFscOmJYZM/TfR59CP6IJI/AAAAAAAA9Cw/x-r1YxaRlU4/s1600/IMG_5876.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617248724720427154" src="http://1.bp.blogspot.com/-7AFscOmJYZM/TfR59CP6IJI/AAAAAAAA9Cw/x-r1YxaRlU4/s400/IMG_5876.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">Alex Rose</span><br />
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<a href="http://1.bp.blogspot.com/-gk0j_KzbQqA/TfR5scB9ZcI/AAAAAAAA9Co/7pgJXqSRDAs/s1600/IMG_5866.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617248439583466946" src="http://1.bp.blogspot.com/-gk0j_KzbQqA/TfR5scB9ZcI/AAAAAAAA9Co/7pgJXqSRDAs/s400/IMG_5866.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">Marc Hulson</span><br />
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<a href="http://4.bp.blogspot.com/-DOGg0CCahRI/TfR5b5viIFI/AAAAAAAA9Cg/8OwBjOBjr_g/s1600/IMG_5878.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617248155501469778" src="http://4.bp.blogspot.com/-DOGg0CCahRI/TfR5b5viIFI/AAAAAAAA9Cg/8OwBjOBjr_g/s400/IMG_5878.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<a href="http://3.bp.blogspot.com/-TgfTHv6fBq4/TfR5SJAA27I/AAAAAAAA9CY/aakiQpYLA6Q/s1600/IMG_5877.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617247987798432690" src="http://3.bp.blogspot.com/-TgfTHv6fBq4/TfR5SJAA27I/AAAAAAAA9CY/aakiQpYLA6Q/s400/IMG_5877.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">Alex Rose</span><br />
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<a href="http://4.bp.blogspot.com/-D-spva-3KCE/TfR5BCUFDiI/AAAAAAAA9CQ/59LIldiYbaA/s1600/IMG_5873.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617247693945769506" src="http://4.bp.blogspot.com/-D-spva-3KCE/TfR5BCUFDiI/AAAAAAAA9CQ/59LIldiYbaA/s400/IMG_5873.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">Marc Hulson</span><br />
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<a href="http://4.bp.blogspot.com/-1R7nSr3G06Q/TfR4Iz5G-_I/AAAAAAAA9B4/Is_-Ib6vJ7g/s1600/IMG_5875.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617246728001879026" src="http://4.bp.blogspot.com/-1R7nSr3G06Q/TfR4Iz5G-_I/AAAAAAAA9B4/Is_-Ib6vJ7g/s400/IMG_5875.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<a href="http://2.bp.blogspot.com/-qYarP4iQBkY/TfR31aVWwrI/AAAAAAAA9Bw/Cl4UkA-dgoY/s1600/IMG_5874.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617246394723517106" src="http://2.bp.blogspot.com/-qYarP4iQBkY/TfR31aVWwrI/AAAAAAAA9Bw/Cl4UkA-dgoY/s400/IMG_5874.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">Math Tinder</span><br />
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<a href="http://4.bp.blogspot.com/-MTFApLkPIsE/TfR3TRZ884I/AAAAAAAA9Bo/lR2GcrmhbrU/s1600/IMG_5899.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617245808211325826" src="http://4.bp.blogspot.com/-MTFApLkPIsE/TfR3TRZ884I/AAAAAAAA9Bo/lR2GcrmhbrU/s400/IMG_5899.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<a href="http://2.bp.blogspot.com/-JN_u62cdX88/TfR3Ipx1P5I/AAAAAAAA9Bg/swMWMnJnHOg/s1600/IMG_5902.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617245625775374226" src="http://2.bp.blogspot.com/-JN_u62cdX88/TfR3Ipx1P5I/AAAAAAAA9Bg/swMWMnJnHOg/s400/IMG_5902.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<a href="http://2.bp.blogspot.com/-tDQNB2jZLS4/TfR2_WWWINI/AAAAAAAA9BY/ibpTA2jjfOU/s1600/IMG_5903.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617245465940992210" src="http://2.bp.blogspot.com/-tDQNB2jZLS4/TfR2_WWWINI/AAAAAAAA9BY/ibpTA2jjfOU/s400/IMG_5903.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<a href="http://2.bp.blogspot.com/-KTksqNhaO-w/TfR21G4PZAI/AAAAAAAA9BQ/Puvdgk_tFU8/s1600/IMG_5904.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617245289989497858" src="http://2.bp.blogspot.com/-KTksqNhaO-w/TfR21G4PZAI/AAAAAAAA9BQ/Puvdgk_tFU8/s400/IMG_5904.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">Jared Pappas-Kelley</span><br />
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<a href="http://gallery.me.com/pappaskelley#100069"><span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: xx-small;">(watch JP-K's video)</span></a><br />
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<b><span style="font-family: Courier New, Courier, monospace;">The zine stand</span></b><br />
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<a href="http://3.bp.blogspot.com/-o8wE-oVchUs/TfR2UFeYaHI/AAAAAAAA9BI/90uERkJIl_8/s1600/IMG_5881.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617244722676918386" src="http://3.bp.blogspot.com/-o8wE-oVchUs/TfR2UFeYaHI/AAAAAAAA9BI/90uERkJIl_8/s400/IMG_5881.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<a href="http://1.bp.blogspot.com/-hLABOyq-Ps8/TfR2JZ6h-1I/AAAAAAAA9BA/Fe22VQY7eQA/s1600/IMG_5882.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617244539185134418" src="http://1.bp.blogspot.com/-hLABOyq-Ps8/TfR2JZ6h-1I/AAAAAAAA9BA/Fe22VQY7eQA/s400/IMG_5882.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
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<b><span style="font-family: Courier New, Courier, monospace;">Room 2</span></b><br />
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<a href="http://4.bp.blogspot.com/-LOes4zzg6tU/TfR0woSrN7I/AAAAAAAA9Aw/3FtZZ5R1zzY/s1600/IMG_5894.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617243014036142002" src="http://4.bp.blogspot.com/-LOes4zzg6tU/TfR0woSrN7I/AAAAAAAA9Aw/3FtZZ5R1zzY/s400/IMG_5894.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<a href="http://2.bp.blogspot.com/-RhxJYlQSeaQ/TfR0maJCOQI/AAAAAAAA9Ao/Lj8lJVgXeeY/s1600/IMG_5895.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617242838438918402" src="http://2.bp.blogspot.com/-RhxJYlQSeaQ/TfR0maJCOQI/AAAAAAAA9Ao/Lj8lJVgXeeY/s400/IMG_5895.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<a href="http://4.bp.blogspot.com/-OW8aFWmiox8/TfR1XcDEk3I/AAAAAAAA9A4/PtH6ozrH6_Y/s1600/IMG_5916.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617243680764367730" src="http://4.bp.blogspot.com/-OW8aFWmiox8/TfR1XcDEk3I/AAAAAAAA9A4/PtH6ozrH6_Y/s400/IMG_5916.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<a href="http://2.bp.blogspot.com/-U0BOUKpG1vg/TfR0ZfMeIqI/AAAAAAAA9Ag/MEFRqT4AF4U/s1600/IMG_5910.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617242616457208482" src="http://2.bp.blogspot.com/-U0BOUKpG1vg/TfR0ZfMeIqI/AAAAAAAA9Ag/MEFRqT4AF4U/s400/IMG_5910.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
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<b><span style="font-family: Courier New, Courier, monospace;">The works</span></b><br />
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<a href="http://2.bp.blogspot.com/-QCGMWKXBt7U/TfRztrDZVcI/AAAAAAAA9AY/7WcW_6kdDX4/s1600/IMG_5897.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617241863726126530" src="http://2.bp.blogspot.com/-QCGMWKXBt7U/TfRztrDZVcI/AAAAAAAA9AY/7WcW_6kdDX4/s400/IMG_5897.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<a href="http://4.bp.blogspot.com/-rTBFoG2FY20/TfRzldQYQ4I/AAAAAAAA9AQ/aW3uY7OKz1o/s1600/IMG_5898.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617241722583532418" src="http://4.bp.blogspot.com/-rTBFoG2FY20/TfRzldQYQ4I/AAAAAAAA9AQ/aW3uY7OKz1o/s400/IMG_5898.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">Michael Salerno</span><br />
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<a href="http://1.bp.blogspot.com/-DmoKaf_hAQo/TfRzM12fxhI/AAAAAAAA9AI/JzcSbe_uTro/s1600/IMG_5864.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617241299689129490" src="http://1.bp.blogspot.com/-DmoKaf_hAQo/TfRzM12fxhI/AAAAAAAA9AI/JzcSbe_uTro/s400/IMG_5864.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<a href="http://1.bp.blogspot.com/-j08nQONnTys/TfRzFWRRBvI/AAAAAAAA9AA/V7e02RlaDIE/s1600/IMG_5865.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617241170952390386" src="http://1.bp.blogspot.com/-j08nQONnTys/TfRzFWRRBvI/AAAAAAAA9AA/V7e02RlaDIE/s400/IMG_5865.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">Emma Wolf Deraze</span><br />
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<a href="http://2.bp.blogspot.com/-sdnA64ObPdU/TfRy3Wxa4tI/AAAAAAAA8_4/XSAa-VZxWM8/s1600/IMG_5857.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617240930569085650" src="http://2.bp.blogspot.com/-sdnA64ObPdU/TfRy3Wxa4tI/AAAAAAAA8_4/XSAa-VZxWM8/s400/IMG_5857.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<a href="http://2.bp.blogspot.com/-_jVmY5dJQnY/TfRyr4HQsUI/AAAAAAAA8_w/3GYLqc7ee90/s1600/IMG_5859.JPG"><span style="font-family: Courier New, Courier, monospace;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617240733360632130" src="http://2.bp.blogspot.com/-_jVmY5dJQnY/TfRyr4HQsUI/AAAAAAAA8_w/3GYLqc7ee90/s400/IMG_5859.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></span></a><br />
<span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">Steven Purtill</span><br />
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<a href="http://3.bp.blogspot.com/-8YiuvXzTKi0/TfR4WCRk7XI/AAAAAAAA9CA/PKQZhHAjIgI/s1600/IMG_5884.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617246955200900466" src="http://3.bp.blogspot.com/-8YiuvXzTKi0/TfR4WCRk7XI/AAAAAAAA9CA/PKQZhHAjIgI/s400/IMG_5884.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></a><br />
<span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">Alex Rose</span><br />
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<a href="http://3.bp.blogspot.com/-QhOjLElCMGU/TfRyVQxXp7I/AAAAAAAA8_o/xbfSd5c-3TY/s1600/IMG_5860.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617240344842708914" src="http://3.bp.blogspot.com/-QhOjLElCMGU/TfRyVQxXp7I/AAAAAAAA8_o/xbfSd5c-3TY/s400/IMG_5860.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></a><br />
<a href="http://3.bp.blogspot.com/-Ub0UithZEpU/TfRyKBlwdzI/AAAAAAAA8_g/USPcHWAdQC0/s1600/IMG_5861.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617240151788910386" src="http://3.bp.blogspot.com/-Ub0UithZEpU/TfRyKBlwdzI/AAAAAAAA8_g/USPcHWAdQC0/s400/IMG_5861.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></a><br />
<span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">Joel Westendorf</span><br />
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<a href="http://3.bp.blogspot.com/-7em_7fe6t5I/TfRxxe6Lg4I/AAAAAAAA8_Y/Fc_Cv3hhM5E/s1600/IMG_5886.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617239730162467714" src="http://3.bp.blogspot.com/-7em_7fe6t5I/TfRxxe6Lg4I/AAAAAAAA8_Y/Fc_Cv3hhM5E/s400/IMG_5886.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></a><br />
<a href="http://1.bp.blogspot.com/-rLzb1gtqyx4/TfRxp4h_ydI/AAAAAAAA8_Q/dfzBueHvUNo/s1600/IMG_5885.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617239599601404370" src="http://1.bp.blogspot.com/-rLzb1gtqyx4/TfRxp4h_ydI/AAAAAAAA8_Q/dfzBueHvUNo/s400/IMG_5885.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></a><br />
<a href="http://2.bp.blogspot.com/-i4e5vTJIKIc/TfSFHWU-XYI/AAAAAAAA9Fk/3sHUI4n0hl0/s1600/IMG_5832.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617260996536982914" src="http://2.bp.blogspot.com/-i4e5vTJIKIc/TfSFHWU-XYI/AAAAAAAA9Fk/3sHUI4n0hl0/s400/IMG_5832.JPG" style="cursor: hand; cursor: pointer; height: 319px; width: 400px;" /></a><br />
<span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">Michael Salerno</span><br />
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<a href="http://3.bp.blogspot.com/-l-1FxHDYuF0/TfRxCffrHHI/AAAAAAAA8_I/Pi4eYIMFnXM/s1600/IMG_5862.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617238922865876082" src="http://3.bp.blogspot.com/-l-1FxHDYuF0/TfRxCffrHHI/AAAAAAAA8_I/Pi4eYIMFnXM/s400/IMG_5862.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></a><br />
<span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">C.L. Martin</span><br />
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<a href="http://1.bp.blogspot.com/-4tijqStbCa8/TfRwbmYYC5I/AAAAAAAA8-4/kAZMUmRbCkM/s1600/IMG_5906.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617238254699416466" src="http://1.bp.blogspot.com/-4tijqStbCa8/TfRwbmYYC5I/AAAAAAAA8-4/kAZMUmRbCkM/s400/IMG_5906.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></a><br />
<a href="http://4.bp.blogspot.com/-YqVuSL17IcQ/TfRwTM5h6bI/AAAAAAAA8-w/eSppymQ5Of4/s1600/IMG_5905.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617238110420199858" src="http://4.bp.blogspot.com/-YqVuSL17IcQ/TfRwTM5h6bI/AAAAAAAA8-w/eSppymQ5Of4/s400/IMG_5905.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></a><br />
<a href="http://4.bp.blogspot.com/-Jd3IMYMt7QI/TfRwITp4lSI/AAAAAAAA8-o/tlJqkB-A1es/s1600/IMG_5907.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617237923255063842" src="http://4.bp.blogspot.com/-Jd3IMYMt7QI/TfRwITp4lSI/AAAAAAAA8-o/tlJqkB-A1es/s400/IMG_5907.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></a><br />
<span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">Bill Hsu</span><br />
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<a href="http://vimeo.com/23327506"><span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: xx-small;">(watch an early demo of Hsu's work)</span></a><br />
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<b><span style="font-family: Courier New, Courier, monospace;">The opening</span></b><br />
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<a href="http://1.bp.blogspot.com/-6ekFCjaJQMw/TfRum67H7mI/AAAAAAAA8-g/srM-i8QmkMs/s1600/IMG_5927.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617236250169175650" src="http://1.bp.blogspot.com/-6ekFCjaJQMw/TfRum67H7mI/AAAAAAAA8-g/srM-i8QmkMs/s400/IMG_5927.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></a><br />
<a href="http://3.bp.blogspot.com/-uPbULMOob4k/TfSTysu25OI/AAAAAAAA9GE/sv5i1Ycrixs/s1600/IMG_5934.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617277134448288994" src="http://3.bp.blogspot.com/-uPbULMOob4k/TfSTysu25OI/AAAAAAAA9GE/sv5i1Ycrixs/s400/IMG_5934.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></a><br />
<a href="http://2.bp.blogspot.com/-gU3ZH5z60JM/TfRuIkchwzI/AAAAAAAA8-Y/pKJ8eb6Srlc/s1600/IMG_5929.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617235728739189554" src="http://2.bp.blogspot.com/-gU3ZH5z60JM/TfRuIkchwzI/AAAAAAAA8-Y/pKJ8eb6Srlc/s400/IMG_5929.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></a><br />
<a href="http://1.bp.blogspot.com/-EcwQqqrAviE/TfRt-7RL_SI/AAAAAAAA8-Q/Y9Jwokg4D34/s1600/IMG_5930.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617235563066948898" src="http://1.bp.blogspot.com/-EcwQqqrAviE/TfRt-7RL_SI/AAAAAAAA8-Q/Y9Jwokg4D34/s400/IMG_5930.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></a><br />
<a href="http://1.bp.blogspot.com/-8yDYDWXdrtg/TfT0l8wLR5I/AAAAAAAA9IE/wktrnA4uTzE/s1600/IMG_8006.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617383568038381458" src="http://1.bp.blogspot.com/-8yDYDWXdrtg/TfT0l8wLR5I/AAAAAAAA9IE/wktrnA4uTzE/s400/IMG_8006.JPG" style="cursor: hand; cursor: pointer; height: 267px; width: 400px;" /></a><br />
<a href="http://3.bp.blogspot.com/-BE4fP5mc4I0/TfRt0vtmbTI/AAAAAAAA8-I/Fy3rrKmhsaU/s1600/IMG_5931.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617235388166204722" src="http://3.bp.blogspot.com/-BE4fP5mc4I0/TfRt0vtmbTI/AAAAAAAA8-I/Fy3rrKmhsaU/s400/IMG_5931.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></a><br />
<a href="http://4.bp.blogspot.com/-m742sXXdbds/TfRthxR-XfI/AAAAAAAA8-A/x6wcbAyGNTo/s1600/IMG_5937.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617235062169689586" src="http://4.bp.blogspot.com/-m742sXXdbds/TfRthxR-XfI/AAAAAAAA8-A/x6wcbAyGNTo/s400/IMG_5937.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></a><br />
<a href="http://2.bp.blogspot.com/-0k9n94XHf2I/TfRtW58c4KI/AAAAAAAA894/0Vbf04sh8sQ/s1600/IMG_5938.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617234875516772514" src="http://2.bp.blogspot.com/-0k9n94XHf2I/TfRtW58c4KI/AAAAAAAA894/0Vbf04sh8sQ/s400/IMG_5938.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></a><br />
<a href="http://3.bp.blogspot.com/-0ltzfhvIqVU/TfRtHEyw_JI/AAAAAAAA89w/2PalPVHNrmw/s1600/IMG_5939.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617234603551030418" src="http://3.bp.blogspot.com/-0ltzfhvIqVU/TfRtHEyw_JI/AAAAAAAA89w/2PalPVHNrmw/s400/IMG_5939.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></a><br />
<a href="http://3.bp.blogspot.com/-iKECHvDUkpk/TfSTYtAaR4I/AAAAAAAA9F8/Wsx6thaR1Ks/s1600/IMG_5935.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617276687845312386" src="http://3.bp.blogspot.com/-iKECHvDUkpk/TfSTYtAaR4I/AAAAAAAA9F8/Wsx6thaR1Ks/s400/IMG_5935.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></a><br />
<a href="http://1.bp.blogspot.com/-yKvA2UC6XeQ/TfRs9k2A4nI/AAAAAAAA89o/4oqhc4xQ5EU/s1600/IMG_5941.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617234440355897970" src="http://1.bp.blogspot.com/-yKvA2UC6XeQ/TfRs9k2A4nI/AAAAAAAA89o/4oqhc4xQ5EU/s400/IMG_5941.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></a><br />
<a href="http://2.bp.blogspot.com/-AUoG6ZrpFQY/TfRs0lu5cNI/AAAAAAAA89g/Lcy2Y_4KsR8/s1600/IMG_5943.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617234285975662802" src="http://2.bp.blogspot.com/-AUoG6ZrpFQY/TfRs0lu5cNI/AAAAAAAA89g/Lcy2Y_4KsR8/s400/IMG_5943.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></a><br />
<a href="http://1.bp.blogspot.com/-sNmNbyh_y4A/TfRsqhDgSeI/AAAAAAAA89Y/_ptHgodQuSI/s1600/IMG_5945.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617234112921225698" src="http://1.bp.blogspot.com/-sNmNbyh_y4A/TfRsqhDgSeI/AAAAAAAA89Y/_ptHgodQuSI/s400/IMG_5945.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></a><br />
<a href="http://1.bp.blogspot.com/-SW6UMfEw3OM/TfRsa2sPFKI/AAAAAAAA89Q/jG09fVmwJv4/s1600/IMG_5946.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617233843851302050" src="http://1.bp.blogspot.com/-SW6UMfEw3OM/TfRsa2sPFKI/AAAAAAAA89Q/jG09fVmwJv4/s400/IMG_5946.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></a><br />
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<span class="Apple-style-span" style="font-family: Courier New, Courier, monospace; font-size: x-small;">(Some of the) attendees, pictured and not: Nick Hudson, Joe, Diarmuid Hester (schoolboyerrors), Dom Lyne, Lee, Steven T. Hanley, DC, Tom Kendall, Thomas Moore (Thomas Moronic), Paul Curran, Caroline Simpson (puella aeterna), Cornelia Grassi, Frances Stark, David Velasco, Stuart Comer, Dario, Martin (Selfish Cunt), James Batley, Anne-Sophie Dinant, Simon Parris, Marc Hulson, Jonathan Mayhew, OB De Alessi, Michael Salerno, Esther Planas, Emma Wolf Deraze, ...</span><br />
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<b><span style="font-family: Courier New, Courier, monospace;">The OB De Alessi performance</span></b><br />
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<a href="http://3.bp.blogspot.com/-20_g1hGNyHc/TfTz9mCm1JI/AAAAAAAA9Hk/7fcTN8WZhsE/s1600/IMG_8053.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617382874746901650" src="http://3.bp.blogspot.com/-20_g1hGNyHc/TfTz9mCm1JI/AAAAAAAA9Hk/7fcTN8WZhsE/s400/IMG_8053.JPG" style="cursor: hand; cursor: pointer; height: 267px; width: 400px;" /></a><br />
<a href="http://3.bp.blogspot.com/-6s8_1OzmplM/TfTz3fDPxFI/AAAAAAAA9Hc/DHFnydAw1OM/s1600/IMG_8061.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617382769791321170" src="http://3.bp.blogspot.com/-6s8_1OzmplM/TfTz3fDPxFI/AAAAAAAA9Hc/DHFnydAw1OM/s400/IMG_8061.JPG" style="cursor: hand; cursor: pointer; height: 267px; width: 400px;" /></a><br />
<a href="http://3.bp.blogspot.com/-uMtC2Dysepw/TfTzx1OBSvI/AAAAAAAA9HU/E42_zt0ahmw/s1600/IMG_8076.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617382672662874866" src="http://3.bp.blogspot.com/-uMtC2Dysepw/TfTzx1OBSvI/AAAAAAAA9HU/E42_zt0ahmw/s400/IMG_8076.JPG" style="cursor: hand; cursor: pointer; height: 267px; width: 400px;" /></a><br />
<a href="http://1.bp.blogspot.com/-Xb6ZB7RgFto/TfRr9STB3SI/AAAAAAAA89I/__Xz5m1qaPs/s1600/IMG_5947.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617233335865695522" src="http://1.bp.blogspot.com/-Xb6ZB7RgFto/TfRr9STB3SI/AAAAAAAA89I/__Xz5m1qaPs/s400/IMG_5947.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></a><br />
<a href="http://3.bp.blogspot.com/-gBtIa8FLHo0/TfRr3Li0wTI/AAAAAAAA89A/CoKtunmbutg/s1600/IMG_5948.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617233230973681970" src="http://3.bp.blogspot.com/-gBtIa8FLHo0/TfRr3Li0wTI/AAAAAAAA89A/CoKtunmbutg/s400/IMG_5948.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></a><br />
<a href="http://1.bp.blogspot.com/-vq3Gkdo2VK0/TfTzKkXsDKI/AAAAAAAA9HM/RuVH1ZyGiOY/s1600/IMG_1422.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617381998125124770" src="http://1.bp.blogspot.com/-vq3Gkdo2VK0/TfTzKkXsDKI/AAAAAAAA9HM/RuVH1ZyGiOY/s400/IMG_1422.JPG" style="cursor: hand; cursor: pointer; height: 299px; width: 400px;" /></a><br />
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<b><span style="font-family: Courier New, Courier, monospace;">Afterparty, Bistrotheque</span></b><br />
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<a href="http://2.bp.blogspot.com/-OU1NWC1BiJM/TfRrJC-DaoI/AAAAAAAA884/eUQ8HZZMv48/s1600/IMG_5951.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617232438397987458" src="http://2.bp.blogspot.com/-OU1NWC1BiJM/TfRrJC-DaoI/AAAAAAAA884/eUQ8HZZMv48/s400/IMG_5951.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></a><br />
<a href="http://1.bp.blogspot.com/-Fr0ssTc6go4/TfRq2SONrKI/AAAAAAAA88w/0Z3Iqg994fo/s1600/IMG_5955.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617232116074785954" src="http://1.bp.blogspot.com/-Fr0ssTc6go4/TfRq2SONrKI/AAAAAAAA88w/0Z3Iqg994fo/s400/IMG_5955.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></a><br />
<a href="http://4.bp.blogspot.com/-Ps5VrlHgFDo/TfRqn4xi6HI/AAAAAAAA88o/-wcsugNbmBk/s1600/IMG_5959.JPG"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5617231868725487730" src="http://4.bp.blogspot.com/-Ps5VrlHgFDo/TfRqn4xi6HI/AAAAAAAA88o/-wcsugNbmBk/s400/IMG_5959.JPG" style="cursor: hand; cursor: pointer; height: 300px; width: 400px;" /></a><br />
<span class="Apple-style-span" style="color: white;">----</span>five yearshttp://www.blogger.com/profile/17881461131158392631noreply@blogger.com0tag:blogger.com,1999:blog-3142651457573975861.post-49421486624793785982011-06-10T13:16:00.000-07:002011-10-14T11:52:22.338-07:00Dennis Cooper talks The Weaklings at Transductions blog<h2>Dennis Cooper talks The Weaklings http://transductions.net/</h2><div class="date">June 6th, 2011 by Thomas Moore <a href="http://transductions.net/2011/06/06/dennis-cooper-talks-the-weaklings/#comments" title="Comment on Dennis Cooper talks The Weaklings">§ <span class="commentcount">1</span></a></div><a href="http://transductions.net/2011/06/06/dennis-cooper-talks-the-weaklings/dc/" rel="attachment wp-att-2789"><img alt="" class="alignnone size-full wp-image-2789" height="172" src="http://assets.transductions.net/2011/06/dc.jpg" width="480" /></a><br />
If you look just south of this blog post then you’ll see the information of an imminent London exhibition called <i>The Weaklings</i>, curated by novelist Dennis Cooper. Scroll down the page to check out the gallery information or click <a href="http://www.fiveyears.org.uk/">here</a>.<br />
<i>The Weaklings</i> sees Cooper in a role that he has taken on regularly and inspiringly countless times in the past – that of helping to uncover, expose and champion new artists whose work has yet to be seen by a larger audience. <br />
Alongside writing some of the most devastating, beautiful and vital literature of the last few decades, Dennis Cooper has constantly been an aid and supporter of new experimental artists and their work. From personal experience, having been lucky enough to hear this support and advice at various points over the last few years, I can vouch how much Cooper’s words of encouragement can mean to a young artist: a fucking lot.<br />
What he started with <i>Little Caesar</i> magazine in the late 1970s (in which he published work by then unknown and new writers like Tim Dlugos, Amy Gerstler and Eileen Myles), Cooper continued with the events that he organized as director of programming at the <i>Beyond Baroque</i> series in California in the early 1980s. Since then he has released new novels by the likes of Travis Jeppessen, Mark Gluth and Lonely Christopher via his <i>Little House on the Bowery</i> imprint and on his blog he sign posts those hungry for new culture – noise bands, avant-garde filmmakers, you name it – nearly every day of the week. <br />
The vast community of artists (from virtually every practice you can think of) that has swelled at Cooper’s site since it began in May 2005, is one many fascinating elements that makes <i><a href="http://denniscooper-theweaklings.blogspot.com/">DC’s</a></i> the unique online art space that it is. In January 2007 Dennis pulled together some of the writers from this dynamic and fluid community to form the <i><a href="http://www.akashicbooks.com/userlands.htm">Userlands</a></i> anthology. Now, with The Weaklings, Cooper is shining a light on the visual artists who frequent his blog.<br />
I had a quick talk with Dennis via Skype before he makes the trip from his home in Paris over to London to oversee the exhibition.<br />
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<i>The Weaklings is the first art show that you’ve curated in quite a while … How did it come about? You talked on the blog about having a “secret project” a few times …</i><br />
<b><br />
Yeah I think it’s the first since 2004, gosh, yeah, since 2004 or 2005. Marc Hulson actually suggested it. For a really long time I’d been talking about how I’d like to do a visual art equivalent of <i>Userlands</i>, and at some point Marc said “well you could do it at <i>Five Years</i> if you wanted to”. I think maybe a year or so went by and he said “well there’s this slot if you want to take it and do it …”.</b><br />
<b> </b><b>So then I had to go and think of the visual artists on the blog, and write to people. And when I had the opportunity I said to people “show me your stuff” and I got to pick the work, but in some cases they were still making the work. So in some ways until I actually get in the gallery on Wednesday and lay everything on the floor I don’t actually know what the show is going to be like. It’ll be fun to figure out a way to make everything work together.</b><br />
<i>I was going to ask if you’d noticed any particular themes that run through the work?</i><br />
<b>No, I’ve haven’t really thought of it, I’ve just been concentrating on picking the coolest thing from each person. The only thing I did do was try to make it so it wasn’t all photography, or it wasn’t all drawings. I was mostly just trying to balance it all out. The cool thing is that there is some sculpture for the floor by Alex Rose, and there’s something on computer and there’s video and as far as I know there’ll be two performances at the opening.</b><br />
<i>When you’ve curated something, what do you see your role as? On opening night, for example?</i><br />
<b>I dunno … Maybe I’ll introduce the performers if they need it. Other than that I’ll mostly just stand round in an incredibly stressed out state and have inadequately short conversations with billion people. I hate openings, because it’s always so rushed and there’s always a load of people and people I haven’t seen in forever and you don’t have anytime to talk to people properly. I’ll probably drink some wine and try to relax. Other than that, the work is on the wall.<br />
</b><br />
I went to see Scott Treleaven at an opening for a group show that he was in last year and I remember thinking how weird it must have been for him to have to speak to so many people. If you’re involved with a show, the opening comes with this weird social pressure attached to it or something …<br />
<b><br />
Yeah, well my thing would be to find someone and go outside and smoke cigarettes and talk for two hours, but at openings you can’t do that. I mean, the blog is perfect because I can take the time to talk to every single person individually, but with openings you end up feeling rushed. But it will be totally fun.</b><br />
<i>Yeah, I’m looking forward to it a lot. How’s everything else in life right now?</i><br />
<b>It’s really busy. Giselle and I are probably going to be co-curating this huge festival at the <a href="http://www.centrepompidou.fr/">Centre Pompidou</a> in February, which is really awesome but it’s a massive amount of work to figure out because we’re negotiating with them and proposing, but it could be incredible. We’re organizing this whole thing, so there’s music nights, and we might have <i>Them</i> (a recently revived theatre collaboration with Ishmael Houston-Jones and Chris Cochrane) performed and this huge installation and an art show and lectures, so it’s really great but it’s stressful because we have to get it all together … and so between all that and early book stuff (promotion for Cooper’s forthcoming novel <i>The Marbled Swarm</i>) it’s pretty crazy, plus we’re trying to work on this other theatre piece. It’s all great but I’m a bit stressed out (laughs).</b>Esther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.com0tag:blogger.com,1999:blog-3142651457573975861.post-21877176339778198452011-03-11T13:04:00.000-08:002011-09-17T13:06:01.997-07:00CLOSE ENCOUNTERS OF THE THIRD KIND INSIDE THE WHITE CUBE<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7-Ym-jbG5O9Z8n6Btln2TB1nJ0hAScVYpZzD93kM-zJsQQ0rrsKKG41kDssVRuhYi4EMO9axJglYcKIpwZQbPCFETEVZhGXk-est0-rJGKnChui7xjNiT1bZ3etngHB5h9jRrMcSZ18Nw/s1600/Screen+shot+2011-03-11+at+12.08.30.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="290" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7-Ym-jbG5O9Z8n6Btln2TB1nJ0hAScVYpZzD93kM-zJsQQ0rrsKKG41kDssVRuhYi4EMO9axJglYcKIpwZQbPCFETEVZhGXk-est0-rJGKnChui7xjNiT1bZ3etngHB5h9jRrMcSZ18Nw/s640/Screen+shot+2011-03-11+at+12.08.30.png" width="640" /></a></div><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYKGSFKtK77nXm6YX-SbWpZtLpQTRkBWr4joywEYr2VGfESjMYPnSAq8yZ4Yk3eXa-m06v2Lnr9ce6k5h83Rb34nigRLg9rWczd4LjcLoWMhxe3z-ZZjW9U0RuShRrUxvZzjtLhhD43ryQ/s1600/Screen+shot+2011-05-03+at+00.30.00.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="242" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYKGSFKtK77nXm6YX-SbWpZtLpQTRkBWr4joywEYr2VGfESjMYPnSAq8yZ4Yk3eXa-m06v2Lnr9ce6k5h83Rb34nigRLg9rWczd4LjcLoWMhxe3z-ZZjW9U0RuShRrUxvZzjtLhhD43ryQ/s320/Screen+shot+2011-05-03+at+00.30.00.png" width="320" /></a></div>Esther Planas Balduzhttp://www.blogger.com/profile/02083812639965630201noreply@blogger.com0tag:blogger.com,1999:blog-3142651457573975861.post-91640787295144890782009-03-09T14:31:00.000-07:002009-03-11T17:36:45.600-07:00Does God Live In The No Fly Zone<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiX3uRidC72BMaptTkFjFJ8Ec43qoJPWLHMTRW80OFZ8gAw3fGY5xRsM-M41y3A4qaWKbX3sTXcD6nL6vgNEnjzo7Mva-HjsFewGVKZSyQNRG8h6anMjBY7Efo_J0mMAyhIpRl71G8Ps0s/s1600-h/text.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 388px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiX3uRidC72BMaptTkFjFJ8Ec43qoJPWLHMTRW80OFZ8gAw3fGY5xRsM-M41y3A4qaWKbX3sTXcD6nL6vgNEnjzo7Mva-HjsFewGVKZSyQNRG8h6anMjBY7Efo_J0mMAyhIpRl71G8Ps0s/s400/text.jpg" alt="" id="BLOGGER_PHOTO_ID_5311306263847201266" border="0"></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVDizaw5WUVgIyZYf1tlXkqycTnZhThCCEw6b1IIIYulVpuiLgaEA_TImfagcRoVOVD9-bJZq-b58kdth3FPccKltlburFBz-T-_EJe7JnVRbDL3x_DAUPVJu2vLcrINJK_a7ZFVrytuw/s1600-h/imageDGL.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 387px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVDizaw5WUVgIyZYf1tlXkqycTnZhThCCEw6b1IIIYulVpuiLgaEA_TImfagcRoVOVD9-bJZq-b58kdth3FPccKltlburFBz-T-_EJe7JnVRbDL3x_DAUPVJu2vLcrINJK_a7ZFVrytuw/s400/imageDGL.jpg" alt="" id="BLOGGER_PHOTO_ID_5311306562137658530" border="0"></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBkDBXu_zL6gbEWp6rD1-r8ImI3Rlu6MXgRFNxqhym0ERtms7TjzSsoHVFLgmg6Gmvbt60CrfNv06Pg7qI7kGwv0dBbai2IRsqgNNwNCS6LUkYcw27Y_PTAV4pYvh2-4UMRk_F0qvmHiM/s1600-h/moscow_london.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 266px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBkDBXu_zL6gbEWp6rD1-r8ImI3Rlu6MXgRFNxqhym0ERtms7TjzSsoHVFLgmg6Gmvbt60CrfNv06Pg7qI7kGwv0dBbai2IRsqgNNwNCS6LUkYcw27Y_PTAV4pYvh2-4UMRk_F0qvmHiM/s400/moscow_london.jpg" alt="" id="BLOGGER_PHOTO_ID_5311317000191607698" border="0"></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgg8FM2YA7o4f05vwH5hMDnnjuugDKZdip9wFr9lsfHmkg2U79TwIlXvocd_zSKEZpxseVe0IgC46G-N1ppyKBMpMR-sqF0JmHSgNBlUEr5ru63X2HOG8wLFaefGgR_Iv8iUGp5HQiSpB4/s1600-h/paris_berlin.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 266px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgg8FM2YA7o4f05vwH5hMDnnjuugDKZdip9wFr9lsfHmkg2U79TwIlXvocd_zSKEZpxseVe0IgC46G-N1ppyKBMpMR-sqF0JmHSgNBlUEr5ru63X2HOG8wLFaefGgR_Iv8iUGp5HQiSpB4/s400/paris_berlin.jpg" alt="" id="BLOGGER_PHOTO_ID_5311316897403264114" border="0"></a><br /><br />Very interesting. The answer is obvious !! God either does or does not live in the no fly zone. And here is the good part - it doesn't matter if God lives there or not. The important part of your work is the question, not the answer. Actually there is a correct answer. Based on my interests in religion, philosophy and science, the correct answer is that God does and does not live in both/either the literal or figurative no fly zone. Some cultures believed that their gods lived high in the sky or on the top of mountains. Moses ascended a mountain to receive the ten commandments from G_d. But that is not possible any more. All the mountain peaks have been climbed, and airplanes and satellites criss-cross the sky at every altitude day and night. There are now only two places where gods are safe from prying eyes. One is the interior of volcanoes. I will never forget the sight of Debra Paget, clad in a short sarong, leaping into a volcano to save her people from the wrath of the fire god in "Bird of Paradise". In these more enlightened times, the fire goddess Pele in Hawaii has been relegated to a status somewhat similar to Cinco de Mayo in the United States. That is to say she is still honored and celebrated, but only as a local custom and tourist attraction. There may be some die hard Polynesians who still believe in the old gods, but none of them will be in London. The other worldly location where gods can safely reside without being disturbed by humans is indeed the no fly zone. For the purpose of this discussion, we must assume (without advocating), that God does exist. It is fascinating to note that there are both non-theistic religions (e.g. Buddhism), and non-religious 'theisms' (e.g. North American Indians).<br /> <br />The last time that God actually manifested him/her/it self in human form - like George Burns in "Oh, God" - was to warn, and argue with, Abraham about destroying Sodom and Gomorra, and our only witness to that event was Abraham himself. That leads to the realization that God is probably incorporeal. Actually, that idea is totally compatible with current theories of quantum physics. Everyone is familiar with the traditional four dimensions - three of space and one of time. The current theories of quantum physics seem to indicate that there are actually eleven dimensions: the traditional three spatial and one temporal, and seven more dimensions of space. The extra seven are very, very tiny - actually sub quantum in 'size' - but they are curled up very tightly, so there is actually an enormous amount of space/room/area in them, just as the three familiar dimensions contain an enormous amount of space/room/area. Also, they are present at, and occupy, every single point of our conventional three dimensional space - including no fly zones. The vocabulary is totally inadequate, but they can be described mathematically. I have no idea what an artist would do.<br /> <br />My point is that God can indeed be anywhere and everywhere in the universe all the time, and no one would know it. We must leave to another time metaphysical discussions such as did God create the universe and exist outside it as well as within Does God exist only outside or only inside the universe. Did God create the universe and another God to reside within it.<br /><br />Mr. Barnet Seniorfive yearshttp://www.blogger.com/profile/17881461131158392631noreply@blogger.com0tag:blogger.com,1999:blog-3142651457573975861.post-81161491728114536742008-10-31T03:40:00.000-07:002008-10-31T03:44:38.247-07:00STRUCTURES FOUND STRUCTURES LOST<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEho_o8xETXZoNzRbQW-fSGN1y7DaxMF3tNhdQsBS-gg9E4AhtWj7y32eW7Ownbh3f2DESmbCwVwT-EiEMtzBlTyjb_2Y77VNAYbfiHhpY7vnCyBcD_2gA4wi-Uw6OCGlHV7R1vHtNNmwCw/s1600-h/structures3.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEho_o8xETXZoNzRbQW-fSGN1y7DaxMF3tNhdQsBS-gg9E4AhtWj7y32eW7Ownbh3f2DESmbCwVwT-EiEMtzBlTyjb_2Y77VNAYbfiHhpY7vnCyBcD_2gA4wi-Uw6OCGlHV7R1vHtNNmwCw/s400/structures3.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5263266766036074930" /></a><br />STRUCTURES<br />FOUND<br />STRUCTURES<br />LOST<br /><br /> <br /> <br />VIDEOS BY<br /> <br />PAUL B DAVIS<br />Video Compression Study #3 (Barney), 03:31, 2007<br /><br />STEVE KLEE<br />Where We Were When We B.A.S.H.E.D! the Fash, 09:50, 2008<br /><br />ABBE LEIGH FLETCHER<br />corrugated (levels 7 to 2), 00:58, 2008<br />jump off here, 00:30, 2008<br />waterside gasworks, 00:50, 2008<br /> <br />curated by Francis Summersfive yearshttp://www.blogger.com/profile/17881461131158392631noreply@blogger.com0tag:blogger.com,1999:blog-3142651457573975861.post-58711123314352936472008-10-18T03:20:00.001-07:002008-10-18T03:22:27.258-07:00Esther Planas & Marc Hulson MASKWORK<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXXjsB65qO1vz54MRsVsnubICEwPwFeuUC79CEEJYuJ2nTOVKpvgMVObM9kQMXDE1Ow-Htvd8M-rHSsBaQYyCgfEnBVMdsajJaL0GJMM7MjhO_FtxBpSKiRMcHdM_pLV5COaVhRWOBpiw/s1600-h/mask.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXXjsB65qO1vz54MRsVsnubICEwPwFeuUC79CEEJYuJ2nTOVKpvgMVObM9kQMXDE1Ow-Htvd8M-rHSsBaQYyCgfEnBVMdsajJaL0GJMM7MjhO_FtxBpSKiRMcHdM_pLV5COaVhRWOBpiw/s400/mask.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5258437273019748066" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjonX1ypK5nM28nenV7xNRGmjonCgxj5FSGGnBGSfiq6oJ_JnXCCDW5J37H4wEeouNYPZZDXhhhyzVMJLkOBcrfyaDo2sJVck8HM50jdgyYLYL_PryI3rtb9PhPPplKJDcZygvHIApQ3E8/s1600-h/em1.JPG"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjonX1ypK5nM28nenV7xNRGmjonCgxj5FSGGnBGSfiq6oJ_JnXCCDW5J37H4wEeouNYPZZDXhhhyzVMJLkOBcrfyaDo2sJVck8HM50jdgyYLYL_PryI3rtb9PhPPplKJDcZygvHIApQ3E8/s400/em1.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5258437282058024226" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4iHeX7Yt0doGl1ndhvcJFWMRCTO_mJV12J0b9RzIxwnWuUmqRkLdaPoOX6bnnDJhnA8yDfB8NBJoRJ0sH11QWz0ROjgRS-iVJ4HrHceIcqycn8e6cDbj3EXX04fuJi7-ZVlN3a0vHZok/s1600-h/em2.JPG"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4iHeX7Yt0doGl1ndhvcJFWMRCTO_mJV12J0b9RzIxwnWuUmqRkLdaPoOX6bnnDJhnA8yDfB8NBJoRJ0sH11QWz0ROjgRS-iVJ4HrHceIcqycn8e6cDbj3EXX04fuJi7-ZVlN3a0vHZok/s400/em2.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5258437280760522722" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjypCpoArRsb19XF6QTSki9KrLurfALDuFso0Z7DoprNnUDYk6RTMibQctOeiRfbjIeKKX8kjGws4HZK0ejL_rpLUajPP_YepDPYrxoDOrvmE1KMHFsX9s85TYP9-Ir1t8c6Z5DBB7Oc6M/s1600-h/em2.jpg.JPG"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjypCpoArRsb19XF6QTSki9KrLurfALDuFso0Z7DoprNnUDYk6RTMibQctOeiRfbjIeKKX8kjGws4HZK0ejL_rpLUajPP_YepDPYrxoDOrvmE1KMHFsX9s85TYP9-Ir1t8c6Z5DBB7Oc6M/s400/em2.jpg.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5258437288712257794" /></a>five yearshttp://www.blogger.com/profile/17881461131158392631noreply@blogger.com1tag:blogger.com,1999:blog-3142651457573975861.post-32147274907949531262008-09-18T04:39:00.002-07:002008-10-19T16:43:09.332-07:00Ana Čavić & Sally Morfill<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEU5CNaNipQAfZnyU0qG1hhJyCFpNBt-d9GjYTYmgJCqec7Z_QYDRtF_JuhWztLUcKcD9APWagFzgVJGoh5OXyGsQzDBjMxe5ywcLpMIm0XCG82COdMmvFRyBCWYTuoZLQaB-ObualVE8/s1600-h/terrible-iv2.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEU5CNaNipQAfZnyU0qG1hhJyCFpNBt-d9GjYTYmgJCqec7Z_QYDRtF_JuhWztLUcKcD9APWagFzgVJGoh5OXyGsQzDBjMxe5ywcLpMIm0XCG82COdMmvFRyBCWYTuoZLQaB-ObualVE8/s400/terrible-iv2.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5259014664292540706" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivS2xXvgJc6t4yFhM2eCY5lVw3jnk2TL-dPoB4nDSkRrr5E-t5GQlf4dpJWiaNu06BaBfzZaxShT4WKsQhVbJQ6QKjWIx3HE25ZBV67_hmfAXr8gcoKVKsVoP8EuRkC6gMsCxCOpP6LKg/s1600-h/pic1.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivS2xXvgJc6t4yFhM2eCY5lVw3jnk2TL-dPoB4nDSkRrr5E-t5GQlf4dpJWiaNu06BaBfzZaxShT4WKsQhVbJQ6QKjWIx3HE25ZBV67_hmfAXr8gcoKVKsVoP8EuRkC6gMsCxCOpP6LKg/s400/pic1.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5259014669522046642" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5l2HhqtTa1yw8tKvGnB5z5gPYXXLW0_2hMpDBHM9v63Zn5-KfSsPQmmDUPWFP8h3K0dCuOAmED67NxO2bvHTs9oCCOf77e-kpJLBF74YX1ifHw_HQNx0BL22yohnnQCOIfgSzUWcH0Ag/s1600-h/pic8.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5l2HhqtTa1yw8tKvGnB5z5gPYXXLW0_2hMpDBHM9v63Zn5-KfSsPQmmDUPWFP8h3K0dCuOAmED67NxO2bvHTs9oCCOf77e-kpJLBF74YX1ifHw_HQNx0BL22yohnnQCOIfgSzUWcH0Ag/s400/pic8.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5259014668540941330" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOb79ck6gG8BnHB-5xhTq2vFNi9hUOnnvydcXx87CEqMwoH2xtjc3vO3UCSV0rHcAmgq5tb23xc-v4kmqXgngHVmmxZFZMTgRbT0dHnXgH-qsQe9DpjUI77u-PvZw4LZEssW_oJyUpbJQ/s1600-h/detailmap.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOb79ck6gG8BnHB-5xhTq2vFNi9hUOnnvydcXx87CEqMwoH2xtjc3vO3UCSV0rHcAmgq5tb23xc-v4kmqXgngHVmmxZFZMTgRbT0dHnXgH-qsQe9DpjUI77u-PvZw4LZEssW_oJyUpbJQ/s400/detailmap.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5259014679505917570" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZ83QaqU2lF1q1NcDMGEl6YcrGQjFCCVII54HP6sxJIF11jfKRMdPTwiEqMYUqFHTYECnlbmpCebw2fm7aYEgqtJ1vQMp68cpqQRWCSgogaxyUltBiHP-U6_d17PqEOqDTFhvLLITEdVc/s1600-h/all-lnes-ed.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZ83QaqU2lF1q1NcDMGEl6YcrGQjFCCVII54HP6sxJIF11jfKRMdPTwiEqMYUqFHTYECnlbmpCebw2fm7aYEgqtJ1vQMp68cpqQRWCSgogaxyUltBiHP-U6_d17PqEOqDTFhvLLITEdVc/s400/all-lnes-ed.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5259014679874724418" /></a>five yearshttp://www.blogger.com/profile/17881461131158392631noreply@blogger.com0tag:blogger.com,1999:blog-3142651457573975861.post-54505666271310834222008-09-18T04:39:00.001-07:002008-09-18T04:40:39.552-07:00Patricia Ellis TALENT SHOW<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgT53akakKnL51WSv5bZzi9RLiYNFTh8U9nnKhJfrpsqrj5yrw4Pn-CYkzkAEP7F1o7ebmV6Hwksclf4_IXUSBbaarEZDsm-5eMJ0i7anPC6tfrKPdvcbzpgqIfvKV78SUh2-iNyKuynr0/s1600-h/TALENT.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgT53akakKnL51WSv5bZzi9RLiYNFTh8U9nnKhJfrpsqrj5yrw4Pn-CYkzkAEP7F1o7ebmV6Hwksclf4_IXUSBbaarEZDsm-5eMJ0i7anPC6tfrKPdvcbzpgqIfvKV78SUh2-iNyKuynr0/s400/TALENT.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5247324892351970690" /></a>five yearshttp://www.blogger.com/profile/17881461131158392631noreply@blogger.com0tag:blogger.com,1999:blog-3142651457573975861.post-58111401623535482502008-07-24T11:15:00.001-07:002008-09-03T15:39:01.366-07:00GARDEN OF THE SLEEP OF LOVE<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgK7yDnsQ4cZUlTE77e3gK44tgXMRbpCPqg5IepzhP3uLTY7xQBkH0mGEN1s_dVN4ERCURZ9tm62TrWae-ahzQGirp-4tic-BZFHmvGz7WDirMOpvY7FjkZsckVHrob23Ee500jqZ2wvrg/s1600-h/Garden-of-the-sleep-of-love.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgK7yDnsQ4cZUlTE77e3gK44tgXMRbpCPqg5IepzhP3uLTY7xQBkH0mGEN1s_dVN4ERCURZ9tm62TrWae-ahzQGirp-4tic-BZFHmvGz7WDirMOpvY7FjkZsckVHrob23Ee500jqZ2wvrg/s400/Garden-of-the-sleep-of-love.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5226647409768904722" /></a><br />Marc Hulson 'Untitled 2' oil on linen 2008<br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjc_5JpUCgoKN7nwAVl4IOoJAQbKK7io95f6A4D1Ky3W5dA6_YimU9eSUIUVt66x2sKbOoBzKOsZBdtNgbpPWf3hXZ8Fpg6dJbLn5BMLAUnRhmXRSEP6sB_SDlPNIMRR12uN05aZtjFRfY/s1600-h/marc1.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjc_5JpUCgoKN7nwAVl4IOoJAQbKK7io95f6A4D1Ky3W5dA6_YimU9eSUIUVt66x2sKbOoBzKOsZBdtNgbpPWf3hXZ8Fpg6dJbLn5BMLAUnRhmXRSEP6sB_SDlPNIMRR12uN05aZtjFRfY/s400/marc1.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5226647414752921570" /></a><br />Roderick Harris 'Fugue - Dancer (dynamite) 7' watercolour on inkjet 2008<br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidvYPUrYo1Kffjbdi8ZURRS7E6oouAbybL2m_O8ZdbO4L_G-7nOTYZce3i785VVwtzHCOCF8QK9xNztNcgYCZggi9Nj6xE_zGRfxG6_QMQ8SHKsNgSAYTFV5EzI83pRQFm6XjyusLpiDc/s1600-h/Dancer+(Dynamite)+7.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidvYPUrYo1Kffjbdi8ZURRS7E6oouAbybL2m_O8ZdbO4L_G-7nOTYZce3i785VVwtzHCOCF8QK9xNztNcgYCZggi9Nj6xE_zGRfxG6_QMQ8SHKsNgSAYTFV5EzI83pRQFm6XjyusLpiDc/s400/Dancer+(Dynamite)+7.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5226647414396764114" /></a><br />Peter Lloyd Lewis 'A Forest - Painting 1' archival pigment print 2008<br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8VN3IxvBbrp2Hevgw6zckzFFyHyYkPtIlHNBgtf4iXHm0C8058ur9gFoXkzGilDlZLEYjqA2dX3rSLiHQAyfhkaBzPizYkzgfnmKEjBMMVDgHqT5kQ0ryk5Of6qw4os9bpyqEPweTUJg/s1600-h/3.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8VN3IxvBbrp2Hevgw6zckzFFyHyYkPtIlHNBgtf4iXHm0C8058ur9gFoXkzGilDlZLEYjqA2dX3rSLiHQAyfhkaBzPizYkzgfnmKEjBMMVDgHqT5kQ0ryk5Of6qw4os9bpyqEPweTUJg/s400/3.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5226647414474720146" /></a><br />Dan Hays 'Colorado Impression 16d' oil on canvas 2007<br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxqdunKjeoUcFRHChEVoFQWZhy80gzUJeLD9mnH8cDbMlUKJL6tOp-4sEs0uAOvfr1_0q1rLa2AIDa47nJmv2OFT-b0pf7Cq5bzfV-LrmnnZziT90Ff3OXXLofHbcQ14MB-YOUWZ-EUGs/s1600-h/Colorado+Imp.+16d+(adj).jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxqdunKjeoUcFRHChEVoFQWZhy80gzUJeLD9mnH8cDbMlUKJL6tOp-4sEs0uAOvfr1_0q1rLa2AIDa47nJmv2OFT-b0pf7Cq5bzfV-LrmnnZziT90Ff3OXXLofHbcQ14MB-YOUWZ-EUGs/s400/Colorado+Imp.+16d+(adj).jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5226647416549822146" /></a><br /><br />THE PLACEBO OF LOVE - a response to the exhibition by Ole Hagen<br /><br />A Great Mistrust in the immediacy of the senses saturates Western minds, at the same time as the desire for sensory seduction wells up with great force through the entertainment machines. Artists also know that the timelessness of rational schemes have been somehow challenged through the ongoing revolt against metaphysics in postmodern thought. Yet it seems at times that what survives this ongoing revolt is a firm belief in a rationality grounded in a commonsense belief in materiality. All the theories that postulate something factual about the external world are grounded in causality. As long as something can be described through the division of cause and effect, there is the tendency to believe that it is rooted in something objective. Magically this belief also extends beyond the perception of the sensory world to be applied with great conviction to the world of (meta-physical) ideas. Countless times I’ve heard artists themselves review exhibitions with a total rejection of affect in favour of rational semiotics. It is somehow seen as safe to admit to be affected by renaissance paintings of sacred motifs, but is seen as a dangerous departure from secular scepticism to recognise a similar affect in contemporary work. There is the idea that artists making work with a malleable effect on the sensory realm, in a way that is not immediately recognised against a historical backdrop, are somehow tricking the audience. It is as if the artists where seen as playing with mirrors and light. We feel the urge to say that of course we knew all along that it wasn’t real, that we were being seduced, but luckily we were able to recognise the semiotic signifiers that allowed us to read the work as representative of certain ideas. <br /><br />But ideas are nothing but interchangeable metaphysical belief structures validated by consensus. Affect on the other hand, is at least what it is; we have an experience, a sensation of undeniable phenomenal immediacy. Feelings or sensations are not ‘fake’ just because they do not stand in for a heavenly transcendental realm or are grounded in objective criteria. They are what they are: the reality of fleeting experiences registered by conscious minds. An artist uses a light bulb in a way that alters our sensory continuum, and people say she is using the seductive tactics of the sacred in a secular way. If we can further remove ourselves from our experience by saying that the artist is representing the sublime, i.e. a historical idea, we can stay safely within the frames of rationality. But what’s so wrong with experience? It is the basis for all causal theories, without really proving the existence of spiritual realms nor the existence of any absolute materiality. We use a similar value judgement when we talk about ‘the placebo effect’ in medicine. It is estimated that the placebo effect in conventional medicine must be quite high. But from a ‘physicalist’ point of view, the term placebo denotes something a bit fake, something without real causal properties. Of course, even if we endorsed the idea of placebo as more worthy, we could not make a pill that could guarantee a ‘placebo effect’. Placebo denotes a multiplicity of factors, the relations between interdependent processes, in short everything in the world that falls outside of ‘properties’ and in a true sense, the scary thing is that there doesn’t exist an entity in the entire world that has any absolute properties. Properties are only effects, only relational and relative, because there are no independent entities. Cause and effect can be imputed precisely because there are no absolute causal properties, only symptoms of processes. The word ‘placebo’ stems from the line Placebo Domino in regione vivorum, ‘I shall please the Lord in the land of the living’. In the 14th century, professional mourners at funerals would chant this line from the ninth verse of psalm CVIVcxiv in the Latin Vulgate. The idea of the professional mourner faking it, or standing in for a family member gave rise to the connotations of ‘placebo’. When I was a teenager, my mum used to suggest that the fun I got from drinking beer with my mates at the weekends, was not real, but artificial fun. Already at that time, this made no sense to me. If you’re having fun, you’re having fun I would say to my mum. I could extend this a little now, by saying that phenomenal experience is what it is regardless of what causal processes we impute upon it. If a trained actor in a movie is able to cry in a given scene, who is to say that the tears are not real, that the experience of sadness the actor is able to guide herself into is unreal? Normal emotional responses work no differently from this; they are not a set of representational devices to stand in for something concrete, something with real properties. They are what they are in the moment, which does not render them valueless. Who would say that their loved ones are just a collection of semiotic signs standing in for an idea of love? The idea of love might be eternal, but not anymore nourishing than the idea of a biscuit. At the same time, ‘real’ love is often fleeting, depending on a multiplicity of circumstances. The word seems to promise something singular and unique, when in a sense it often covers a variety of complex emotional responses and processes, a forest of placebos or possibly an alluring overgrown garden saturated by slumbering potential? Is there anything that presents itself to the senses that is not a placebo? Undeniably we have a sensory register and we also have judgement, analysis and thinking. Observed a bit more closely, perhaps these faculties are not so different in the way they present themselves to our conscious register? All that is solid melts into air, all that is holy is profaned, said Marx, but added that our ‘sober senses’ and our ‘real condition’ would remain. Perhaps he was getting things the wrong way around a little? It seems to me that the fleeting nature of experience is the closest thing we can observe about our condition, and that even the sober structures of rationality melts away. Personally I’m more inclined to feel I’m being manipulated by mirrors and lights when I’m isolating a set of ideas than when I’m observing my immediate experience. But in either case, whether being seduced by a garden of ideas or a garden of sensory delights, who knows, I might be rigging the mirrors and lights myself according to my own desire? <br /><br />From the micro-gestural to the macro-gestural, Garden of the Sleep of Love seduces the viewer to a point beyond seduction, where it’s no longer possible to say that one knows one is being seduced or that the experience of the work is only the product of transparent manipulative schemes. Of course, there is the translation of information taking place, in the sense that we register that the work on display has been filtered through a series of mediated forms. In new speculative cosmology it is suggested that if this old universe collapsed, perhaps the information contained in it could be smuggled through a black hole and into another dimension, where somehow something could be restored. This is as incomprehensible to me as the idea that information is transported digitally through computers. It seems to me that a string of binary units of plus and minus only makes sense if there is someone conscious there to interpret the material. Unless there is a code for how something is preserved, the translation from one medium into another irrevocably alters the thing itself. Rather than a process I could hope to trace, the mediation going on in these works are interesting to me because they do not separate or prioritise between internal and external, mental and physical; these are all planes and dimensions, folds and crevices within the same world. There is no point in separating between the sacred and the profane if there is only one world. What then does it matter if we call all that exists matter or spirit? In this context, introspection is not confined to the subjective sphere, it is just a word for a thing folding in on itself and the fabric of reality from which it springs. A critique levelled against the more conscious act of introspection has been that by the time we observe a mental content, or by the observation itself it will be altered. But if there is no original form, no fixed content of information to be communicated, is this attention to the transitory nature of experience not equal to the act of introspection itself? In any case, even if experiences are fleeting and information depends on some interpretive apparatus, the exercise of introspection is still an exercise in focus. The work in this exhibition seems to me to be exercises in focusing in the sense of the pushing and pulling of a lens. It is only in the particular distance from the motif determined by the limits of the canvas that Dan Hays’ oil painting becomes a landscape. This is not the story of a paintbrush, but rather the story of a calculated chance encounter between fragments, where the artist is just one such fragment. The crypto-narratives of Roderick Harris’ water colours seems to me akin to the story of a process of emergence closer to that of photographic film, where a moment’s over-exposure could dissolve the recognisable image. In Marc Hulson’s work we are witness more to a shift in focus where the emergence of a thought or feeling takes the form of a bodily, gestural surface like the cross-point of a hypnagoic image. In Peter Lloyd Lewis’ image the blur of the image and the blur of our attention to the image become interchangeable. All this is held together by the grey walls which set the ambience for the exhibition space. Atmosphere is something which carries affect beyond the isolation of confined bodies, as it permeates a space. In this particular space the atmosphere is that of a type of sensory chamber with different invisible lenses dividing the attentive dimensions of the space. But there is no room for the neutral observer here. We are already participatory investors in the quest to chase some form of desire, if by desire we mean a type of basic connectivity. Whether it is the origin of the trace or the obliteration of the trace we most long for, the original feeling of love or the new love that will replace it, there is cause and effect. But if we’re attentive enough we might notice that it’s the focus that determines the motif, and give up the idea of grounding cause and effect in objective criteria. A self-luminous doughnut shape is afloat in the psychedelic vista of Peter Lloyd-Lewis’ photograph. There is nothing there to decidedly help me pull the focus either towards subjective vision or objective reality. The only hope of ecstasy beyond definitions of the banal or the sublime seems to be to lose myself in the immediacy of the out of focus experience itself.<br /><br />Ole Hagenfive yearshttp://www.blogger.com/profile/17881461131158392631noreply@blogger.com0